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UPSAMMY Zoom

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各所でピックアップされBEN UFOやLENA WILLIKENS, CALL SUPERもアーリーサポート中、注目の UPSAMMYのアルバムがDEKMANTALから到着しました。

アムステルダムのDe SchoolでのレジデンツはじめDJとしても活躍、〈DIE ORAKEL〉や、〈NOUS'KLAER AUDIO〉、そして〈WHITIES〉のBLUEシリーズでも注目されてきたTHESSA TORSING、UPSAMMY。デビューアルバム。デジタルとオーガニックが同居した多層で、リズミックなポスト・デジタル・ニューエイジ。VISIBLE CLOAKSあたりの感じにも通じる世界観、よりフィジカルにアプローチしています。「Zoom」、視覚的な視点もサウンドとリンクして瞬間にフォーカスしてその特別さを開示する力を秘めているような。2LP、折込のポスターが封入。エレクトロニック・ミュージック推薦盤。 (サイトウ)

▼ Tracklisting

a1.Melt In My Heated Handssample
a2.Growing Out Of The Plastic Boxsample
a3.It Dripssample
b1.Subsoilsample
b2.In A Shadesample
b3.Echo Boomedsample
c1.Send-Zensample
c2.Overfloweringsample
d1.Extra Warmsample
d2.Twisted Like A Flamesample
d3.Reality Paces The Platformsample

Zoom is Thessa Torsing's first full-length album as upsammy. Since 2017, she has developed a signature style in front of listeners eyes and ears: hers is a mesh of airy tones, tender melodies and highly technical drum patterns which wrap around the body of the song like colourful thread around a metallic spindle. Zoom, a refinement of her sound and an expansion of its ambition, is evidently electronic yet seems to float some way off beyond the glow of a screen. Zoom is upsammy's most comprehensive release to date, something she remarks is "a closer and truer look into my work right now"

Across the 11 tracks on Zoom, which has early support from Ben UFO, Lena Willikens, and Call Super, are moments that sharpen your focus then throw you off guard. On "It Drips," a chunky beat conjures the image of a stomping machine. Not so – within seconds a gentle frosting of notes begins to emerge atop the song before a lead melody yawns into view. This technique recurs on "In A Shade", where buzzy static around the margins of the track and a robust low-end are merely the sediment for the song to grow into another form altogether. Using only an Analog Rytm drum machine, Ableton, some modular kit and field recordings to achieve such a wide palette of sounds, the album reflects the excitement of its maker throughout the production process.

The title is an invocation for people to look a little closer at their surroundings and replenish their stock of wonder: "People can be consumed by really big or 'fantastical' things in life, but don't see the small things that have great emotional, artistic or even spiritual value." The packaging of the release contains reminders of the everyday – from associated imagery, a poster, text and videos, all compiled, photographed, and executed by upsammy, to a limited clear vinyl pressing as part of Dekmantel's physical release.

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