初期のディープなミニマルからブッチぎったEBMエレクトロ〜IDMアシッドな咆哮にシフトしたチューリッヒの奇才デュオ・LES POINTSの運営するサブレーベル＜INFOLINE＞から、当時、オランダやイギリスから流れてきたレイヴミュージックのラジオからの音源を24時間録リ続けるというラディカルな手法で、1992年から1994年のあいだに多く制作していたEBM〜ダンストラック群から、彼本人がチョイスしてあらたにエディットを施した音源として再発リリース！テープの早回しやコラージュ、カットアップといった実験とレイヴ、ブレイクビーツやエレクトロが衝突した時代の希少かつクレイジーなトラック集！全５トラック。 (DNT)

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Siegmar Fricke has made a name for himself in the tape culture since 1981 - with a mixture of Musique-Concrète and Post-Industrial. As a former label owner of "Bestattungsinstitut" he released numerous works that went beyond EBM, Electro, Techno and Ambient. In the heyday of the netlabels he focused mainly on his own productions, which he then made available as free downloads. Since 2002 Siegmar has been active with clinical sound experiments under the pseudonym "Pharmakustik". In 2005 he started his collaboration with Maurizio Bianchi from Milan, who has dedicated himself to "industrial decomposition" since 1979. For his Time Compression EP on Infoline, Siegmar Fricke has unearthed compositions from the period 1992-1994 and curated them anew. A phase in which he listened to the radio day and night and connected his sampler to the stereo to record material around the clock. He listened to many radio shows from England or Holland, which often broadcasted techno, trance and acid. At that time those sounds were new territory for him. He recorded inspiring sequences at first go, edited them and then let them flow into his own productions. The result was "future-pop collages mixed with sequencer-controlled trance and sampled voices", to put it in the words of Siegmar Fricke.