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SCOTCH ROLEX Tewari

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現在ヨーロッパで活動中のCHIPTUNE、ガバ、BREAKCOREの日本人DJ SCOTCH EGGがNYEGE NYEGE TAPESのサブレーベルHakuna Kulalaからアナログリリース。

OVE-NAXX等も所属した大阪DE-FRAGMENT出身、現在ヨーロッパで活動中のCHIPTUNE、ガバ、BREAKCOREの日本人DJ SCOTCH EGGのアルバム。NYEGE NYEGE TAPESから昨年リリースし話題を呼んだDUMAのメンバーや、Hakuna Kulalaからリリース、EROMACとの共作でも露ロースしてるMC Yallah等をフィーチャリングしています。 (サイトウ)

▼ Tracklisting

01.OMUZIRA (FT. MC YALLAH)sample
02.SUCCESS (FT. LORD SPIKEHEART)sample
03.CHEZA (FT. CHRISMAN)
04.NFULULA BISWA (FT. SWORDMAN KITALA)
05.AFRO SAMURAI (FT. DON ZILLA)
06.TEWARI
07.JUICE (FT. MC YALLAH)
08.U.T.B. 88
09.SNIPER (FT. LORD SPIKEHEART)
10.WA KALEBULE
11.LAPIS LAZULI (FT. LORD SPIKEHEART)

Veteran Japanese producer Shigeru Ishihara (aka DJ Scotch Egg) has been assembling serrated, genre-busting ear bleeders for almost two decades, and arrives to the Hakuna Kulala stable with a crucial new project: Scotch Rolex, named after the popular Ugandan street food. On "Tewari" the Berlin-based noisemaker melts his breakcore, gabber and chiptune background into a fresh palette of influences, with help from collaborators MC Yallah, DUMA's Lord Spikeheart, Swordman Kitala, Chrisman and Don Zilla. The record was assembled after Ishihara was invited to Uganda for a residency at the Nyege Nyege Villa in 2019. Exposed to Hakuna Kulala's family of artists, the producer began experimenting, twisting trap and dancehall rhythms with 8-bit immediacy and the ragged energy of grindcore. Somehow he has managed to distill the essence of Nyege Nyege's scene-shaping yearly festival, where global dance and experimental forms come together under a banner of East African musical experimentation and physicality. Ishihara is no stranger to collaboration; in recent years he's been spotted working with King Midas Sound's Kiki Hitomi in dub-pop outfit WaqWaq Kingdom and playing bass with electro-shoegaze pioneers Seefeel. But Scotch Rolex is his most ambitious project to date, jumping seamlessly from slithering doom trap ('Omuzira') to anxious hyper-fast electro death metal ('Sniper') to breathless Ugandan club ('Afro Samurai') and beyond without stopping for breath. Whether crafting rhythms for MC Yallah's tongue-twisting rhymes, Lord Spikeheart's hoarse, guttural screams or Swordman Kitala's familiar sing-along chants, Ishihara feels completely at home with his collaborators and celebrates their presence. "Tewari" is a loveletter to Hakuna Kulala from one of experimental dance music's true originals, it's a joyful rumination on the fluidity and versatility of electronic music that manages eclecticism without ever sacrificing coherence.

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