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STEVE HIETT Girls In The Grass

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「渚にて...」で人気のギタリスト、スティーヴ・ハイエットの未発表プライヴェート音源を〈NOISE IN MY HEAD〉のレア音源発掘レーベル〈EFFICIENT SPACE〉が共同アナログ・リリース。

レーベルも絶賛する未発表の奇跡のような音源の数々。The Durutti Column ヴィニ・ライリーも引き合いに出せれていますが、リズムマシーンとギターサウンド、よりサーフなビーチミュージックの色濃い、チルアウト・ミュージック。心地よさ。グッドサウンド。 (サイトウ)

▼ Tracklisting

A1.Are These My Memories?sample
A2.Walking Across The Fieldsample
A3.Summer Strollsample
A4.It's Raining Tomorrowsample
A5.Dancing In Julysample
B1.Shadows Across The Pathsample
B2.Waiting By The Carsample
B3.Kinda Knew Annasample
B4.Love That Birdsample
B5.More Rain In The Woodssample

Three emotional years in the making, Be With and Efficient Space finally present Steve Hiett’s Girls In The Grass. Pressed alongside the long awaited reissue of his one-shot masterpiece Down On The Road By The Beach, these ten balearic soul instrumentals are of equal necessity; unrivalled beauty rescued from the fashion photographer-guitarist’s Paris Tapes (1986-1997).

While recordings unintended for release should often be approached with caution, this is a rare case of unheard material being assembled as an indispensable and coherent piece. Girls In The Grass is something super special. The light and shadow that defines Hiett’s music is arguably more compelling here. It speaks to us in a language that feels profound, yet entirely comforting and familiar.

Girls In The Grass reintroduces Hiett’s languid electric blues boogie, crafted on Saturday afternoons with fellow art director Simon Kentish. Kentish would cook, pour some wine and then utilise his arsenal of technology. He’d dial up a chugging rhythm, together with some ambient pads or keyboard textures, and anchor the weightless gauze of Hiett’s six-stringed touch.

Hiett’s guitar sings with the same clean, crisp tone as Down On The Road, animated by a carefree weekend groove. Unlike his defining album which was boiled under pressure, these subsequent sessions have all the time in the world. The naïve melodies chart a missing link between Vini Reilly’s ventures into electronica and Booker T, sounding like sun-warped takes on wordless, fractured non-hits from his heroes The Beach Boys.

Remastered for public pleasure by Simon Francis, these private moments are adorned with Hiett’s singular photography and feature typically idiosyncratic liner notes from Mikey IQ Jones.



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