- LP
- Recommended
- New Release
BATIDA
Neon Colonialismo
CRAMMED DISCS - Cat No: 316P
- updated:2022-12-09
Lusofonia (the Portuguese-speaking world of Africa) — a laser focus on the origins of Angolan music and where it stands "now"!!! A new album from Batida aka Pedro Coqueñao, a producer born in Angola and raised in Portugal! Guests include BONGA, the 70s Angolan legend; DJ Satelite (sample 1), a leading light of Lusophone Afro house/kuduro; MAYRA ANDRADE from Cape Verde (born in Cuba), rumored to be the heir to Cesária Évora; Lisbon Afro-electric outfit Octa Push; Lia de Itamaracá, the definitive voice of ciranda, the dance music of northeastern Brazil; and DJ Dolores!
Track List
-
1. BATIDA /DJ SATéLITE - Bem Vindo
4:24 -
2. BATIDA /BONGA - Hmmm
02:48 -
3. BATIDA /MAYRA ANDRADE - Bom Bom
05:54 -
4. BATIDA /POTé - Ah!
03:22 -
5. BATIDA /NáSTIO MOSQUITO - Farramenta
03:45 -
6. BATIDA /IKONOKLASTA /OCTA PUSH /DJ DOLORES - Sr Mandão
03:12 -
7. BATIDA /LIA DE ITAMARACá /DJ DOLORES - Tem Dor (Africa De Itamaracá)
04:14 -
8. BATIDA /JOãO MORGADO - Sou Eu!
04:06 -
9. BATIDA /BOTTO TRINDADE /PEDRO DA LINHA - Batida Botto
03:36 -
10. BATIDA /BRANKO - Eléctrico
03:20

That lineup of guests, old and new, is a luxurious cast from a world music perspective too! Angolan music updated with electronics, blended with the traditional music and rhythms of fellow Portuguese-speaking Brazil and the island nation of Cape Verde — an album that feels like the 2020s culmination of Lusophone African music. Naturally, Afro house elements slip in as well, along with kuduro, samba, and nordestino (northeastern Brazilian) rhythms! No awkward chasing of trends, none of the superfluous fusion that so often plagues world music — just a focus on the origins of Lusophone/Angolan music and where it is "now." The groove and scenery stay consistent throughout the record, running from Afro-pop to house, a high-quality set that should get plenty of play in lounge and listening settings. Out on the esteemed CRAMMED DISCS.
The 2014 album was excellent too, and I used it a lot. (Original Japanese text by Shhhhh)