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Imperfect Strangers

  • Cat No: ERC 098
  • updated:2022-05-26

Format

LP 3350 JPY

Selected and compiled from the two albums left behind by DELAY TACTICS, the tape-loop guitar group active in 1980s St. Louis! Combining the influence of kosmische Musik with an American experimental spirit, they range from proto techno-pop to electronic drone. Released via 〈EMOTIONAL RESCUE〉, a label known for its top-quality reissue work.

A compilation from DELAY TACTICS, formed in 1981 as a tape-loop guitar duo by CARL WEINGARTEN and REED NESBIT — both figures who have played important roles in progressive underground music for nearly 30 years — and who released two albums through various lineup changes! It covers everything from their early synth-pop-leaning material, which meshed rhythmic looping techniques with comical melodies, to their later period when they added vocals and reached out toward post-punk. On "Journey To Omdurman" (sample2) distortion and delay are used for reverberation, while "Under The Ice" (sample3) evokes Balearic vibes with brisk single-note playing — the wide-ranging use of guitar really hits the spot. (Original Japanese text by Akie)

Carl Weingarten and Multiphase Records return to Emotional Rescue with a collection of the music of Delay Tactics and their live, reel-to-reel and collaborative experimentation, that spawned two remarkable albums.

After meeting guitarist Reed Nesbit from the St. Louis new wave scene , Weingarten joined forces for a series of concerts, performing with guitars running through tape looping delay systems similar to Robert Fripp’s ‘Frippertronics’ ideals.

Producer and engineer Walter Whitney joined to record the debut album, Out-Pop Options (1982), when it became clear his skills were a perfect addition. Recording to 4-track analog tape, the sound developed from drone based to proto-techno pop. Digital technology, drum machines, guitar pedals and digital effects offered creative freedom that resulted in rhythmic, kraut inspired pieces.

These Kosmiche leanings retain a unique US aesthetic and continued after Nesbit’s departure. When guitarist David Udell joined for Any Questions? (1984), greater explorations – now recorded to 8 track – pushed the envelope to a wider sound.

In an age of endless holy grails, the work of Delay Tactics has a resonance, spanning Eno to Ashra but with a place and sense beyond Europe and towards to new age and fourth world leanings of Laraaji, Hassel and Stearns.

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