His first work since the acclaimed 2014 album "FESTIVAL OF THE DEAD" on the Blackest Ever Black label, it fuses the most impenetrable elements of the subliminal, the extralinguistic and the avant-garde in a way all his own, carefully and smoothly applying a mystical musical world of subliminal linguistics, avant-garde hypnotism and dark self-improvement. You'd be hard pressed to hear a sonic world like this anywhere else. There's no hard percussion this time around, but in a sense it unfolds an even more dangerous, utterly serious trip into hardcore, ultimate, deranged silence that only CUT HANDS could deliver. (Original Japanese text by COMPUMA)