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立花ハジメ
H
LGP アルファミュージック - Cat No: MHJL-406
- updated:2026-08-09
Recorded in 1982, following the breakup of The Plastics in 1981, this marks the first step in the solo career of the young Hajime Tachibana, who was rapidly becoming the darling of the era. "H," a masterpiece instrumental album that defies categorization as both a post-classical contemporary music work and pop/listening music, has been reissued on white-colored vinyl LP. (Limited-edition release)
Track List
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SIDE. A
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1. IF
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2. H (THEME FROM CLUB FOOT)
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3. ROBIN'S EYE VIEW OF CONVERSATION
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4. ALPS 2
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5. SOPRANO SILHOUETTE
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SIDE. B
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1. THE BASSMAN FROM LDK
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2. BQ
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3. PIANO PILLOWS
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4. ALPS
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5. GUITAR GENIUS
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6. MEMORIAL
“テクノポップ御三家”の1つと謳われたプラスチックス解散後、1982年のソロ・デビュー以来40年以上、音楽のみならずグラフィックアートの分野でも活躍を続ける立花ハジメ。2025年1月のオールタイム・ベスト盤『hajimeht』に続き、YEN時代の名盤『H』『Hm』をCD/LPで同時リイシュー。いずれも砂原良徳によるリマスタリングが施されている。
『H(エイチ)』は、細野晴臣と高橋幸宏によりアルファレコード内に新設されたYENレーベルの第一号作品の1つとして1982年5月に発表された1stソロ作。プロデュースは高橋幸宏。プラスチックス時代とはうってかわり全曲インストで、前衛ジャズ、ノー・ウェイヴ、現代音楽等の影響を自身のサックス演奏を含む生楽器中心のアンサンブルに落とし込んだユニーク極まりない音楽性は、ファンを大いに驚かせた。今回のLPは初のカラーレコード仕様(ホワイト)となる。
Personnel: Hajime Tachibana (as, g) Saeko Suzuki (ds, kb) Robin Thompson (ss, bcl) Yukihiro Takahashi (ds, kb) Haruomi Hosono (b, marimba) Ryuichi Sakamoto (ds, p) Donbei Nagata (b) Masashi Hara (ts) Motoya Hamaguchi (perc) Koji Ueno (emulator)
『H(エイチ)』は、細野晴臣と高橋幸宏によりアルファレコード内に新設されたYENレーベルの第一号作品の1つとして1982年5月に発表された1stソロ作。プロデュースは高橋幸宏。プラスチックス時代とはうってかわり全曲インストで、前衛ジャズ、ノー・ウェイヴ、現代音楽等の影響を自身のサックス演奏を含む生楽器中心のアンサンブルに落とし込んだユニーク極まりない音楽性は、ファンを大いに驚かせた。今回のLPは初のカラーレコード仕様(ホワイト)となる。
Personnel: Hajime Tachibana (as, g) Saeko Suzuki (ds, kb) Robin Thompson (ss, bcl) Yukihiro Takahashi (ds, kb) Haruomi Hosono (b, marimba) Ryuichi Sakamoto (ds, p) Donbei Nagata (b) Masashi Hara (ts) Motoya Hamaguchi (perc) Koji Ueno (emulator)

This album was released in May 1982 as one of the landmark first releases from YEN, a new record label founded in 1982 by Haruomi Hosono and Yukihiro Takahashi, alongside Haruomi Hosono’s *Philharmony*. (Incidentally, the label’s third release was Yukihiro Takahashi’s “What, Me Worry?”) Produced by Yukihiro Takahashi, Haruomi Hosono also participated as a musician on several tracks. Ryuichi Sakamoto also contributed to this album as an arranger and performer.
Although he had been a guitarist with the Plastics, he switched to the saxophone after the band’s breakup. This album is a pivotal work from the period when he was active as a member of Ryuichi Sakamoto’s “B-2 NUIT” and was striving to establish his own musical identity as a solo artist and saxophonist, incorporating performances on his original, self-made instruments “ALPS” and “ALPS2,” it strikes an exquisite balance between a post-classical, contemporary musical approach and pop/listening music, making it a one-of-a-kind, unique, unclassifiable masterpiece of instrumental music.
The typography and cover design, created by Ryuichi himself—which foreshadowed his later win of the prestigious ADC Award for graphic design—also became a major talking point at the time of the album’s release.
Hajime Tachibana, hailed as one of the “Big Three of Techno-Pop,” has been active not only in music but also in the field of graphic art for over 40 years since his solo debut in 1982, following the breakup of The Plastics. Following the release of his all-time best album *hajimeht* in January 2025, his classic YEN-era albums *H* and *Hm* were simultaneously reissued on CD and LP. Both have been remastered by Yoshinori Sunahara.