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Horatio Luna
ACTION REACTION
La Sape - Cat No: SAPE035LP
- Release: 2026-05-22
- updated:2026-07-28
Six years have flown by since the release of his previous album, *Yes Doctor*—a brilliant blend of pitch-black psychedelic, organic, and smoky crossover/modern jazz deep house beatdown—and now, Horatio Luna’s long-awaited new album, *YES DOCTOR*, has finally been released via La Sape! It’s just as brilliant as ever with its pitch-black synths, jazz-funk beatdowns, and crossover sounds.
Track List
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A1. CALL ME BACK (INTERLUDE)
00:11 -
A2. SPICY
03:54 -
A3. MALAKIES
03:17 -
A4. DOUBLE SLAY
03:34 -
A5. THE WIN
06:28 -
A6. MOONSHINE (INTERLUDE)
00:20 -
A7. SWEET PAPRIKA (TAKE 2)
05:46 -
B1. MYSTIC BOUNCE
04:45 -
B2. ON-LY SWINGS (INTERLUDE)
00:24 -
B3. PORTO BANGA
03:15 -
B4. RECTIFY (TRIBUTE TO MOODYMANN)
05:06 -
B5. HIP CONNECTIONS (TAKE 2)
05:25 -
B6. HABIBI (TAKE 2)
04:26 -
B7. SLEEPY BYES (INTERLUDE)
00:11
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"ACTION REACTION," the new album by Horatio Luna—a talented bassist, composer, and producer who was formerly a member of the nine-piece hip-hop/crossover group 30/70 from Melbourne, Australia—was recorded between 2022 and 2025 at two studios in Melbourne: Nick Herrera’s studio in Coburg and Drew Parsons’ studio in South Melbourne, and appears to be a work that documents his experiences in both composition and life.
Featuring himself on bass, keyboards, and synthesizers, along with three other keyboardists, synthesizer players, a guitarist, a tenor saxophonist, drums & samples, percussion, and piano. Marking a sharp departure from the dark textures of his previous album "Yes Doctor," the sound has evolved into crystal-clear synthesizers and funk-heavy tracks. Centered on jazz-based interplay, the album fully explores the space between crossover, jazz-funk, beatdown, and deep house through hip-hop sampling, beatmaking techniques, and psychedelic sessions steeped in the raw spirit of black music, fully exploring the space between crossover, jazz-funk, beatdown, and deep house. The album features 14 tracks, including several interludes. As expected, the bass interplay—which was likely heavily influenced by Jaco Pastorius—is truly impressive. (Original Japanese text by COMPUMA)