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The Pain of Separation: Turkish Gazels, 1926-1935
Death Is Not The End - Cat No: DEATH127
- updated:2026-08-12
A carefully curated compilation of Turkish popular songs—including love ballads and gazals—from 78-rpm SP records spanning the mid-1920s to the mid-1930s, featuring rare audio recordings restored after a century, is now available from Death Is Not The End! This is the cassette tape version.
Track List
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1. Hafız Sadettin Kaynak - Falling into the Flames of Heartbreak
03:00 -
2. Hâfız Burhan - Everywhere is Darkness
05:32 -
3. Hafız Kemal Bey - The Moment I Saw You
02:30 -
4. Hoca Izak Algazi - If I Gave My Heart to You
03:52 -
5. Hafız Sadettin Kaynak - I Fell in Love
04:05 -
6. Hafız Kemal Bey - The Sky Cries
03:42 -
7. Hafız Sadettin Kaynak - The Pain of Separation
03:58 -
8. Tarsuslu Abdülkerim - I Waited for So Many Nights
03:10 -
9. Hafız Kemal Bey - A Gaze that Gathers the Blossoms of Longing
03:01 -
10. Bursalı Hamid Bey - I Became the Guardian of my Own Gaze
03:07 -
11. Hafız Kemal Bey - The Dagger of Gazes
03:41 -
12. Hoca Izak Algazi - My Heart’s Sole Longing was to Find its Harbor Through Love
02:51 -
13. Hafız Kemal Bey - With Longing Because of This
04:04 -
14. Hafız Sadettin Kaynak - O My Beloved, Drunk with Your Own Charm, Who Raised You to be So Fearless
03:17

This is a collection of captivating, improvisational vocal performances—rich in melisma (ornamental melodies)—carefully selected from SP records produced from the mid-1920s to the mid-1930s. This era was marked by the aftermath of turbulent events, including the dissolution and partition of the Ottoman Empire, the Greco-Turkish War, and the subsequent forced population exchange.
It was also a period following the establishment of the Republic when efforts to Westernize the nation’s music were being vigorously pursued. Traditional music education was banned in schools, and later, the broadcast of classical Ottoman Turkish music on the radio was completely prohibited. As a result, these songs feel like relics of an even more distant past, while at the same time evoking a very close connection to the Greek “Amanes” and “Rebetiko.” This is because they all trace their origins to the same “maqam” system of the Ottoman Empire and share themes of lost love, longing, and pain. (From the label information) (Original Japanese text by COMPUMA)