• 7inch(Color)
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Kurayami/Get used to it

  • Cat No: BR076lp-C1
  • updated:2026-02-11

Format

7inch(Color) 1990 JPY

Outstanding guitar work that freely draws on Brazilian music, jazz and math rock, a gentle singing voice, and endearing lyrics sung in both English and Japanese — that's the appeal here. NY/Brooklyn-based singer-songwriter/guitarist Mei Semones releases a 7-inch featuring two new songs!

The A-side, "Kurayami," is a thrilling ride of dizzying tempo changes, odd meters and arpeggios, while the B-side, "Get used to it," is a warm and mellow piece performed by a trio of guitar, drums and upright bass. She says the chord progressions and melodies were slightly influenced by Thelonious Monk. Her singular style and skill are impossible to look away from. (Original Japanese text by AYAM)

"Kurayami" the newest single from Mei Semones features some of the mathiest riffs and one of the most bombastic musical climaxes of her career thus far. An exhilarating track to cap off a star-making year for Mei. Mei on the new songs: "Kurayami" means "darkness" in Japanese, and this song is about growing up in Michigan and reminiscing on what it was like hanging out with my friends. Being a kid was really fun and I was happy, but I remember there was a point where we started to lose our innocence and I think this song is about that feeling. It's one of the more technically difficult songs I've written, and it took some practice to get to the point where I could sing and play it at the same time. There's lots of fun tempo changes, odd meters, wide interval arpeggios, and fast licks, and I think the band arrangement is really creative too. Get used to it: "Get used to it" is about the beauty in solitude and being alone, how to move on from something that was important in your life but still leave space for it, and my love for the guitar and music. It's the second song I wrote on my nylon string, and the changes and melody are somewhat inspired by Thelonious Monk. The instrumentation is more minimal than our other songs -- just me (guitar & vox), upright bass, and drums. We were going for a live jazz trio sound, so there's not really any layers or anything. It's just a straightforward recording of the 3 of us playing the tune, and I think that was the best way to capture the feeling behind the song.

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