The album features a lineup of meditative yet dancefloor-friendly tracks, such as “Batikh” (sample 2), which incorporates Arabic scales and dabke (an Arabic dance) while letting the lingering resonance of the charango—a traditional South American string instrument—captivate the listener. He continues to expand upon the so-called “slow/organic house” sound. Of course, it’s also a perfect fit for lounge and downtempo sets.
With tracks like “Higashi” (sample 3), featuring female singer HOU from Miyazaki, he extends his interpretation of folklore to his beloved Japan. The album also features the intricate and delicate poetry of Nicolás Domínguez Bedini, hailing from Turrera in southern Buenos Aires. (Original Japanese text by Shhhhh)