• 2LP

CHINAL KA 1973 – 1995

  • Cat No: HS 200VL
  • 2020-02-14

カリビアンパーカッシブ・グルーヴ/スピリチュアル・ジャズ、フレンチ・カリブの島国グアダルーペのアフリカ系太鼓リズム、“グウォカ”の革新者エリック・コサックの73~95年の仕事集。HEAVENLY SWEETNESSのカリブ海シリーズ最新作。

と気持ちよく聴いてたらカリブの魔的な、黒人奴隷の血と汗の呪術パーカッション・トラックも要所要所に。後半はワールドミュージック全盛期なDIGGER的には今気分であろうカリビアンディスコなZOUK風のトラックは同レーベルのDIGITAL ZANDOLIシリーズみたいで嬉。このツッタカしたリズムは新作も楽しみなCHASSOL(彼はマルチニークなんでお隣ですが)の元ネタ的なとこもあり様々なレイヤーが楽しめる、編集は流石HEAVENLY SWEETNESSの仕事と唸ってしまう素晴らしいコンピレーション。同レーベルがスピリチュアルジャズから今はここにいるんですね。ブックレットも充実の2LP。 (Shhhhh)

HUUGE compilation of music by Erick Cosaque spanning 1973 - 1995. Killer Gwo Ka / jazz crossovers from his early days to the more digital zouk bangers he produced in the 80's / 90's.. Most of his work is never reissued or compiled before, this is a big one for the tropical music heads! Comes on a double LP - Including booklet with biography and track by track explanation, translated in English, French and Créole.

Some words from the label:

A strong, rough, plump voice with the typical tone heard in the creole outdoor musical gatherings. Erick Cosaque’s voice is made to go over and above the two boula drums and the makè drum which are associated in general, along a few light percussions, with the Guadeloupean gwo ka. Whether heard at an informal street corner kout’ tanbou, during a traditional evening at someone’s place or in the musical léwoz of a community center, his warm yet imperial voice has been known by West Indians, in the islands and in the mainland through music, radio and television thanks to a career spanning more than forty five years – about twenty solo albums, forty or so participations and collaborations with artists of all generations and genres within the Caribbean music scene.

Although Erick Cosaque is a major figure in Gwo ka, he managed to avoid being part of any institutional system – no label, no alliance, no funding. His voice, one of the strongest in that genre, has been significant since the early 70’s for restoring the original spontaneous and rebellious spirit present in gwo ka with artistic creations starting in the age of vinyl and continuing in the digital era.

Erick Cosaque resembles Gwo ka, whose music has simple components but is deeply rooted in a complex historical and social context made of fights, pleasures, memories and desires.

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