• 7inch
  • Digital

Exit Athens

  • Cat No: ATA030
  • Release: 2023-09-08


Digital 440 JPY

エチオジャズと60-70年代ライブラリーミュージックのエキゾチックジャズ独自融合を試みるThe Sorcerersと、Ata Records期待の新鋭The Outer Worlds Jazz Ensembleのデビュー曲を収録した同レーベルからの野心的スプリット7インチ・シングル!!!

ソリッドに怪しく妖しいThe Sorcerersによる意欲的新曲、エチオジャズ・エキゾ強力なるブレイクビーツ・ジャズファンク逸品Side-A「Exit Athens」(sample1)、コンテンポラリー・モダンジャズ・エキゾチカ・モダン、新たな音楽世界を野心的に探求するThe Outer Worlds Jazz EnsembleによるSide-B「Beg, Borrow, Play」(sample2)もアフロラテンジャズにビバップ・ファンクする名品。Gilles Peterson、BBEのKev Beadleもサポート&プレイ、コメントを寄せている。 (コンピューマ) (7inchのコメントから参照)

Track List

24bit/96khz [wav/flac/aiff/alac/mp3]

ATA Records are proud to announce this new double A-side from The Sorcerers featuring, on the flip, the first release by The Outer Worlds Jazz Ensemble.

Exit Athens marks the start of a new era for The Sorcerers. Continuing their investigations of Ethio-Jazz and 60s and 70s European library music, the group is now formed around Joost Hendrickx (Kefaya, Shatner's Bassoon, Abstract Orchestra), Richard Ormrod (saxes, flute & keys) and ATA label head, bassist Neil Innes. Exit Athens features a driving funk engine room with exotic percussion, vintage keyboards, and the classic Addis Ababa combination of vibes, flute and horns. The aim is to double-down on previous album successes The Sorcerers and In Search of The Lost City of The Monkey God, expanding their tonal palette whilst tightening their focus, with the intention of producing multiple albums of solid analog cuts, every one of which will appeal equally to DJs and audiophiles alike.

On the AA side, Beg, Borrow, Play marks the debut of The Outer Worlds Jazz Ensemble. The first in an ongoing series of 45s and LP issues, each Outer Worlds release will feature the immaculate grooves of the hard-working, unsung sidemen of the Leeds Funk, Latin and Ethio/Afrobeat scenes. The Outer Worlds series was conceived to feature visiting soloists who have made a beeline to ATA in search of a specific setting for their material, and represents ATA's ambition to encompass the very best in contemporary jazz/club/rare groove/exotica sounds.

Beg, Borrow, Play kicks this off with ATA veteran Chip Wickham on baritone sax, and a slice of jazz exotica that owes as much to New Orleans Street Beat as to the Eastern moods of artists like Yusef Lateef and Ahmed Abdul-Malik. The result is loose and limber, with horns reminiscent of classic Art Ensemble of Chicago, and will appeal to fans of contemporary Afro-Futurist fusions

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