- Digital
Aquarian
The Snake That Eats Itself
Bedouin Records
- Cat No: BDNX004
- Release: 2020-01-24
Track List
-
1. Aquarian - End Credits
02:23 -
2. Aquarian - Blood Sugar
09:16 -
3. Aquarian - Sketch 2 (Song for D.O.U.G.)
02:12 -
4. Aquarian - Ouroboros
05:02 -
5. Aquarian - Tarp2
05:24 -
6. Aquarian - New York, an Eternity
03:21 -
7. Aquarian - Hate Is a Strong Word, Pt. 1
05:49 -
8. Aquarian - Hate Is a Strong Word, Pt. 2: Bruxist
04:42 -
9. Aquarian - Letting Go at Arm's Length
04:47 -
10. Aquarian - 365 Days and Counting
05:02
24bit/48khz [wav/flac/aiff/alac/mp3]
Canadian born, Berlin based producer Aquarian makes his full length album debutThe Snake That Eats Itselfon Bedouin Records. This record follows his collaborative EPs with Deapmash as 'AQXDM" and is his first solo release since his 2016 experimental mixtape for Quiet Time.
Nearly five years in the making,The Snake That Eats Itselfis Aquarian's most complex, diverse and emotive work to date, plunging his trademark UK sound-system / techno hybrids into a self-contained, cinematic universe streaked with heavy influences from industrial, IDM, drone and dark pop music. Written in Brooklyn, New York, in a deeply transitional, yet seemingly endless period preceding his relocation to Berlin,the title of the album refers to the Ouroboros, a mythological serpent symbolizing the cycle of birth and death and infinity itself.
The Snake That Eats Itselfpits Aquarian's most abrasive and brutal moments next to his most wistful and introspective. Viscerally thick layers of tape saturation envelop the album as sludgy synths ooze against brittle atmospheres; breakbeats fragment, explode and disintegrate into swarms of delay and noise; scorched, metallic percussion - sampled from a year-long demolition and construction project next to his apartment - forge the rhythmic backbone of the album. These elements, however, seamlessly make way to startlingly crystalline and shimmering ambient passages, offering a sense of reprieve and balance.
Nearly five years in the making,The Snake That Eats Itselfis Aquarian's most complex, diverse and emotive work to date, plunging his trademark UK sound-system / techno hybrids into a self-contained, cinematic universe streaked with heavy influences from industrial, IDM, drone and dark pop music. Written in Brooklyn, New York, in a deeply transitional, yet seemingly endless period preceding his relocation to Berlin,the title of the album refers to the Ouroboros, a mythological serpent symbolizing the cycle of birth and death and infinity itself.
The Snake That Eats Itselfpits Aquarian's most abrasive and brutal moments next to his most wistful and introspective. Viscerally thick layers of tape saturation envelop the album as sludgy synths ooze against brittle atmospheres; breakbeats fragment, explode and disintegrate into swarms of delay and noise; scorched, metallic percussion - sampled from a year-long demolition and construction project next to his apartment - forge the rhythmic backbone of the album. These elements, however, seamlessly make way to startlingly crystalline and shimmering ambient passages, offering a sense of reprieve and balance.