Second release for the Decouple ][ Series, a project that aims to showcase artists working, in their own ways, at the bold fringes of electronic composition, experimenting around the topics of increasing complexity, dependencies and miscommunication in a media-saturated digital era.
British producers Dale Cornish and Sim Hutchins join the project, the former playing with an anti-sober, almost eccentric euphoria, the latter with nostalgic and slighty eerie ambient feel. The thinness of reality is made of transparent things and refractions – external and internal points of view of the same subject.
Croydon's prodigy Dale Cornish joyously plays here with a terse, oblique, abstract, almost candid, almost brutal TR- 909's 'floor friendly pattern. Not immune to unpredictable subtle fractures, the witty nine minutes of percussive repetition stretches out beyond its physical form, hinting at moments of climax but never overwhelming its voyeuristic nature. Saturated handclaps and hi-hat pan-pots widen top-end frequencies while classic 909 claves incursions, cowbells and tambourines counterpoint. What sounds like a recording of Dale's own voice lasciviously recurs so to become the track's title itself – 'California'! Playfully pointillist explorations, pulse and percussive deconstructed gestures place this track into the elusive territory between dance-floor and experimental.
"The product of a bleak winter night, cold fingers gripped tightly on restraint/release controls. Red wine sipped from a mug in lieu of adequate central heating. Stifled sense of euphoria inferred by subtle melodies not brave enough to visibly cross frozen pads, instead opting to lurk in the chill of closed hats and hollow bandpasses. Though unable to procure the resources required to stoke the internal flames of creative thought, I powered through instead and struck tipsily at chords, and at the red-skied February dawn 'Druk Pak' was the end result". No better words than Sim Hutchins' own to describe a tune of potential somnambulism, obscure awarness and future nostalgia for the present-day. Another time his vision, sounds and impulses set markers of contemporaneity.
All cover pictures for the Decouple ][ Series are taken from Alice Bonfanti's 'Transparent Things' [1997] courtesy of the artist.
Limited Edition of 300. 140gr. black vinyl in reverse printed folder jacket, pressed at RAND, master and cut by Helmut Erler D&M Berlin. Includes download code.

Decouple ][ Series
"In software engineering d e c o u p l i n g is generally all about discerning whether or not two components need to closely work together or can be further made independent. Independence is great because it makes those things easy to change or use somewhere else. Usually, you can't remove coupling between components completely. D e c o u p l i n g in that context normally means loosening the existing coupling, making sure each component knows as little as possible about the other components around it".
A series of six split vinyls on the topics of increasing complexity, dependencies and miscommunication in a media-saturated digital era.