- Digital
Alessandro Alessandroni
Frittata All'Italiana (Original Motion Picture Soundtrack)
Four Flies
- Cat No: SPE61
- Release: 2023-01-06
- updated:
Track List
-
1. Alessandro Alessandroni - Ticket (Titoli di Testa - Whistle Version)
02:08 -
2. Alessandro Alessandroni - Ticket (Versione Sexy - feat. Giulia De Mutiis)
02:08 -
3. Alessandro Alessandroni - Ticket (Versione Orchestra)
02:07 -
4. Alessandro Alessandroni - Clownesco
01:04 -
5. Alessandro Alessandroni - Ragazzo Innamorato
01:25 -
6. Alessandro Alessandroni - Primi Approcci
03:40 -
7. Alessandro Alessandroni - Weekend di Primavera
01:50 -
8. Alessandro Alessandroni - Sereno e Romantico
01:39 -
9. Alessandro Alessandroni - Interludio Napoletano
00:32 -
10. Alessandro Alessandroni - Interludio Napoletano (Seconda Versione)
00:32 -
11. Alessandro Alessandroni - Interludio Napoletano (Terza Versione)
00:21 -
12. Alessandro Alessandroni - Inseguimento Cinese
00:59 -
13. Alessandro Alessandroni - Pericolo Ignoto
01:10 -
14. Alessandro Alessandroni - Ombre Silenziose
03:06 -
15. Alessandro Alessandroni - Primo Appuntamento
00:34 -
16. Alessandro Alessandroni - Ticket (Titoli di Coda)
02:09
16bit/44.1khz [wav/flac/aiff/alac/mp3]
Despite the film’s ridiculously low budget, the Maestro, as usual, managed to make a virtue out of necessity and created melody-rich and super-catchy themes (the foxtrot-based number used for the film’s title sequence, “Ticket”, for instance), some of which purely instrumental, while others incorporating Alessandroni’s signature whistling or the iconic, sexy vocalisms of his wife Giulia De Mutiis (aka Kema). As expected in this genre, the Italian composer and multi-instrumentalist penned little burlesque marches and grotesque motifs (spiced up with a good dose of sleaziness courtesy of electronic drums), alternating them with pieces that are more easy listening ("Ragazzo innamorato"), romantic (“Weekend di Primavera”, “Sereno e Romantico”) or folk. But there is room also for evocative, suspenseful and tension-filled tracks (“Pericolo Ignoto” and “Ombre Silenziose” immediately come to mind). All in all, this release will both entertain and offer an insight into a little-known side of Alessandroni’s remarkable (and too-long-forgotten) filmography as a composer.