- Digital
Various Artists
Test Card Music, Vol. 8
APOLLO SOUND
- Cat No: APSCD228
- Release: 2003-04-07
- updated:
Track List
-
1. The George Hermann Band - My Friends
02:21 -
2. The William Gardner Orchestra - At Sundown
02:37 -
3. George Hermann & His Orchestra - Tierpark Promenade
02:22 -
4. Emerich Smola & His Orchestra - L'Amour Est Grand
03:21 -
5. George Hermann & His Orchestra - Flowers For Yvette
02:35 -
6. Orchestra Tropicana - Santiago De Chile
04:31 -
7. The William Gardner Orchestra - Rockin' Strings
03:07 -
8. The Sound & The Voices - Goodnight
02:22 -
9. George Hermann & His Orchestra - Fancy That
02:21 -
10. Hans Hatter & His Orchestra - Rockin' Chair
02:31 -
11. Antony Wood & His Orchestra - Irish Imp
02:02 -
12. The William Gardner Orchestra - Music In Mind
02:30 -
13. Orchestra Raphaele - Zambra Flamenca
02:29 -
14. Andy Novello & His Orchestra - Moon Over Altea
02:50 -
15. Robbiani & His Music - In The Shade
02:21 -
16. Munchner Tanzstreich Orchester - Ventuno
02:18 -
17. Howard Hawks & His Orchestra - Talisman
02:57 -
18. Antony Wood & His - Blue Train
02:48 -
19. Hans Hatter & His Orchestra - Don Pedro
02:46 -
20. Hans Hatter & His Orchestra - Machito
02:10 -
21. The Bobby Lee Orchestra - Charley O
02:24 -
22. The William Gardner Orchestra - Loose Cover
02:51 -
23. The Kara-Hildinger Orchestra - You Are Mine
02:09
16bit/44.1khz [wav/flac/aiff/alac/mp3]
testcard transmissions. Memorable melodies in a variety of styles and arrangements, ranging from big band, scat vocal to piano and full string orchestra, from a sparkling array of composers and performers. Happy memories from the time when Testcard transmissions were only Ointerrupted for occasional daytime programming!'
The Apollo Sound archives feature the very best Testcard Music. These recordings were originally prompted by the need for quality music to be used during the long hours of Testcard Transmissions. At that time the BBC was severely restricted in the repertoire that they could use, partly due to the Musician¹s Union practices, and partly due to constraints which ruled out commercially available recordings. Meeting this demand prompted a golden age of music production which encompassed such a wide range of styles.'
