- Digital
Stefan Goldmann
Automation Studies Vol. 1
Macro Recordings
- Cat No: MACROM84
- Release: 2026-03-05
- updated:
Track List
-
1. Stefan Goldmann - Council
15:18 -
2. Stefan Goldmann - Wear and Tear I
06:28 -
3. Stefan Goldmann - Bergamotta
05:54 -
4. Stefan Goldmann - Feeder
33:53 -
5. Stefan Goldmann - Grater
04:13 -
6. Stefan Goldmann - Paper Window
05:35 -
7. Stefan Goldmann - Colophonium
07:17 -
8. Stefan Goldmann - De-gauss (Urfassung)
09:33 -
9. Stefan Goldmann - Data Loss
12:07 -
10. Stefan Goldmann - Cedrat I
03:02 -
11. Stefan Goldmann - Cedrat II
03:34 -
12. Stefan Goldmann - Velum
09:09 -
13. Stefan Goldmann - Phobos Lab
27:11 -
14. Stefan Goldmann - Computer State
08:48 -
15. Stefan Goldmann - Wear and Tear II
10:52 -
16. Stefan Goldmann - Chamber of Atonement
26:01 -
17. Stefan Goldmann - Angry Skies
14:42
16bit/44.1khz [wav/flac/aiff/alac/mp3]
This triple disc release documents Stefan Goldmann's earliest electroacoustic
works. These clear-cut algorithmic compositions, mostly created between 1999 and
2001, were built entirely with the TC Fireworx processor's internal synthesizer and
effects. Generated and recorded anew for this release with the original programs, a
central component of Stefan Goldmann's sound aesthetic is revisited and becomes
available in pure form for the first time. His proprietary Fireworx algorithms feature
prominently in a multitude of tracks and long-form works, including Phraselab
(2005), De-Gauss (2015), Voices of the Dead (2008) and Live at Honen-In Temple
(2012).
The automated synthesis and effects chains utilize a few layered basic functions to
drive kaleidoscopic sound environments which are simultaneously stable while
constantly changing: Electric rivers of sound flowing continuously through the same
bed, while never repeating themselves quite exactly.
Artwork by Thomas Demand.
works. These clear-cut algorithmic compositions, mostly created between 1999 and
2001, were built entirely with the TC Fireworx processor's internal synthesizer and
effects. Generated and recorded anew for this release with the original programs, a
central component of Stefan Goldmann's sound aesthetic is revisited and becomes
available in pure form for the first time. His proprietary Fireworx algorithms feature
prominently in a multitude of tracks and long-form works, including Phraselab
(2005), De-Gauss (2015), Voices of the Dead (2008) and Live at Honen-In Temple
(2012).
The automated synthesis and effects chains utilize a few layered basic functions to
drive kaleidoscopic sound environments which are simultaneously stable while
constantly changing: Electric rivers of sound flowing continuously through the same
bed, while never repeating themselves quite exactly.
Artwork by Thomas Demand.
