- Digital
YOTO
Ciprés
Kit Records
- Cat No: KR95
- Release: 2026-07-31
- updated:
Track List
-
1. YOTO - Café Con Wisky
02:35 -
2. YOTO - Cortinas
03:39 -
3. YOTO - Visita Sorpresa
03:38 -
4. YOTO - Teléfono
01:56 -
5. YOTO - Seco
04:14 -
6. YOTO - Casino
01:29 -
7. YOTO - Camion De Basura
02:05 -
8. YOTO - Mate En La Plaza
02:20 -
9. YOTO - Viento De Otoño
02:10 -
10. YOTO - Amele
01:36 -
11. YOTO - Ausencia
02:04
24bit/44.1khz [wav/flac/aiff/alac/mp3]
Buenos Aires composer Ignacio Sandoval, aka YOTO, returns to London's Kit Records with a new album of dismantled Argentinian folk music. Taking root at the border between Latin American folk tradition and the kiln of Buenos Aires' distinctly bustling experimental arts scene, Ciprés is a loose-limbed collection of elegiac storytelling.
Guitar remains at the heart of YOTO's practice; each piece on Ciprés began life as a miniature improvisation, recorded in real time then gently adorned with splintering melodies of marimba and xylophone, and funereal marching percussion. The results form a series of private moments; internal sculptures and scenes that speak to the intimacy and solitude of domestic life.
Like fellow Argentinian boundary-pushers Aylu and Vic Bang, YOTO's previous work bubbled with a fermented maximalism (see "Levure"). In contrast, Ciprés alludes to weathered forms - dialogues that fork, disintegrate and improbably rekindle, like aerial roots feeling their way through an ancient city wall. When Sandoval's voice does appear - on "Viento De Otoño" - it casts a dappled, swaying shadow..
Recommended if you like Josephine Foster, The Residents, Lucrecia Dalt, Animal Collective, Tom Waits, J.H. Guraj.
Guitar remains at the heart of YOTO's practice; each piece on Ciprés began life as a miniature improvisation, recorded in real time then gently adorned with splintering melodies of marimba and xylophone, and funereal marching percussion. The results form a series of private moments; internal sculptures and scenes that speak to the intimacy and solitude of domestic life.
Like fellow Argentinian boundary-pushers Aylu and Vic Bang, YOTO's previous work bubbled with a fermented maximalism (see "Levure"). In contrast, Ciprés alludes to weathered forms - dialogues that fork, disintegrate and improbably rekindle, like aerial roots feeling their way through an ancient city wall. When Sandoval's voice does appear - on "Viento De Otoño" - it casts a dappled, swaying shadow..
Recommended if you like Josephine Foster, The Residents, Lucrecia Dalt, Animal Collective, Tom Waits, J.H. Guraj.
