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VARIOUS - STEVE RODEN Listen To The Wind Tha Obliterates My Traces

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▼ Tracklisting

CD1:  -  
01. HMV WEATHER EFFECTS - Wind (1935) sample 
02. JOHN JACOB NILES - John Henry (1940) sample 
03. ANONYMOUS (SOCIETE ANONYME) - Untitled sample 
04. REVEREND EDWARD CLAYBORN - Then We'll Need That True Religion (1927) sample 
05. ERNEST THOMPSON - In the Baggage Coach Ahead (1924) sample 
06. EMERY GLEN - Blue Blazes Blues (1927) sample 
07. GENNETT SOUND EFFECTS - Walking On Ice (1936) sample 
08. CLARA SMITH - Kind Lovin' Blues (1923) sample 
09. NICK LUCAS - If You Hadn't Gone Away (1925) sample 
10. ANONYMOUS - Beautiful Mansions of Gold (Knight Home-recording Disc) sample 
11. EVA PARKER - I Seen My Pretty Papa Standing on a Hill (1926) sample 
12. PALE K. LUA - The Rosary (1914) 
13. GENNETT SOUND EFFECTS - Mocking Bird (1936) 
14. BRADLEY KINCAID - Froggie Went A-Courting (1928) 
15. SYLVESTER WEAVER - Damfino Stump (1927) 
16. SEGER ELLIS - Montana Call (1931) 
17. ALFRED G. KARNES - When They Ring The Golden Bells (1928) 
18. ANONYMOUS - Mandolin (Recordio Home-recording Disc) 
19. ANONYMOUS - The Stranger (Recordio Home-recording Disc) 
20. EX-GOVERNOR ALF. TAYLOR'S OLD LIMBER QUARTET - Brother Noah Built An Ark (1924) 
21. ED LANG - A Little Love A Little Kiss (1927) 
22. STANDARD RADIO SOUND EFFECT - Canadian Geese (1948) 
23. ROY SMECK'S TRIO - Reaching For The Moon (1931) 
24. ROLAND HAYES - I Want To Go Home (1941) 
25. OBED PICKARD OF STATION WSM NASHVILLE TENNESSEE - The Old Grey Horse (1927) 
CD2:  - The Old Grey Horse (1927) 
01. GENNETT SOUND EFFECTS - Walking In Snow And Thin Underbrush (1936) 
02. KELLY HARRELL - Rovin' Gambler (1926) 
03. SARA MARTIN & SYLVESTER WEAVER - I've Got To Go And Leave My Daddy Behind (1923) 
04. FRANK FERERA'S HAWAIIANS - Pinin' Hawaii For You (1928) 
05. GABRIEL BROWN AND HIS GUITAR - Going My Way (1943) 
06. GENNETT SOUND EFFECTS - Rainfall And Thunder (Thunder Not From Life) (1936) 
07. LEW CHILDRE - It Don't Do Nothing But Rain (1936) 
08. BERTHA IDAHO - Graveyard Love (1928) 
09. FRANK LUTHER - Pretty Polly (1940) 
10. GENNETT SOUND EFFECTS - Canary Birds: Several Hundred (1936) 
11. ROLAND HAYES - Xango (1941) 
12. DICK REINHERT - The Girl I Left Behind Me (1929) 
13. REV. CALBERT & SISTER BILLIE HOLSTEIN - Yes I Know (1928) 
14. CHUBBY PARKER - Bib-A-Lollie-Boo (1927) 
15. THURLOW LIEURANCE & CLEMENT BARONE - Winnebago Love Song (Duet) (1929) 
16. CLARA SMITH - My Good For Nuthin' Man (1925) 
17. SOL HOOPII'S NOVELTY TRIO - Stack O'Lee Blues (1926)Stack O'Lee Blues 
18. UKULELE IKE (CLIFF EDWARDS) - (I'm Cryin' 'Cause I Know I'm) Losing You (1927) 
19. MARC WILLIAMS - William & Mary (1934) 
20. ANONYMOUS (RECORDIO HOME-RECORDING DISC) - Way Down Home 
21. GENNETT SOUND EFFECTS - Night Noises (1936) 
22. GID TANNER & HIS SKILLET LICKERS WITH RILEY PUCKETT - Ya Gotta Quit Kickin' My Dog Aroun' (1926) 
23. STOVEPIPE NO. 1 (SAM JONES) - Cripple Creek And Sourwood Mountain (1925) 
24. GOEBEL REEVES - Cowboy's Prayer (1934) 
25. BILL KEARNEY & EARL BUSH (S.O.S. RECORDING AND RADIO SERVICE DISC, HONOLULU, NOVEMBER 3, 1955 "TO DOTTY FROM BILL KEARNEY") - Precious Memorys (Sic) 
26. CARL T. SPRAGUE - O Bury Me Not On The Lone Prairie (1926) 


『I Listen To The Wind That Obliterates My Traces brings together a collection of early photographs related to music, a group of 78rpm recordings, and short excerpts from various literary sources that are contemporary with the sound and images. It is a somewhat intuitive gathering, culled from artist Steve Roden's collection of thousands of vernacular photographs related to music, sound, and listening. The subjects range from the PT Barnum-esque Professor McRea -- "Ontario's Musical Wonder" (pictured with his complex sculptural one-man band contraption) -- to anonymous African-American guitar players and images of early phonographs. The images range from professional portraits to ethereal, accidental, double exposures -- and include a range of photographic print processes, such as tintypes, ambrotypes, CDVS, cabinet cards, real photo postcards, albumen prints, and turn-of-the-century snapshots. The two CDs bring together a variety of recordings, including one-off amateur recordings, regular commercial releases, and early sound effects records. There is no narrative structure to the book, but the collision of literary quotes (Hamsun, Lagarkvist, Wordsworth, Nabokov, etc.). Recordings and images conspire towards a consistent mood that is anchored by the book's title, which binds such disparate things as an early recording of an American cowboy ballad, a poem by a Swedish Nobel Laureate, a recording of crickets created artificially, and an image of an itinerant anonymous woman sitting in a field, playing a guitar. The book also contains an essay by Roden. Hardback book, 8.5 x 6.5 inches, 184 pages, 150 photographs reproduced in full color and two audio CDs from the author's collection.』


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