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Sam GokuやBoys Be Kkoもリリースするアムステルダムのエレクトロニック・ハウス/レーベル〈ATOMNATION〉から、アムステルダムのTUNNELVISIONS。

マントラも彷彿させるようなヴォーカル、アシッド・ネバーランドなA1筆頭に、サイケデリック・ディープハウス、プログレッシヴハウス。 (サイトウ)

▼ Tracklisting

A1.Acid Neverlandsample
A2.King Cobrasample
A3.Mirrored Identitiessample
B1.Waiting For The Morningsample
B2.Private Xssample
B3.End Of Timesample

After making a name for itself through acclaimed reissues of forgotten gems, Lyon’s Tunnel Vision Records is back, this time with a previously unreleased cult EP from the Serbian underground: InnVision’s Lake produced by Welljam aka Velja Mijanovic, one of the pioneers of electronic music in Serbia and host of the legendary “Liquid” show on Yu Radio. While it is fairly common these days for tracks to reach cult status after being uploaded to Youtube and picked up by its recommendation algorithm, the story of the Lake EP is truly unique. Picture this: it’s the summer of 94 in Serbia and despite US sanctions, something was going on in the country’s musical underground with open-air parties on lakesides and other natural locations, fuelled by a feeling of freedom and creativity. At the time, InnVision was a 26-year-old producer inspired by the likes of The Orb, Brian Eno, Underworld, and Spooky. Unconcerned with adhering to trends or finding ways to make commercially-viable music, he created the tracks on this EP with Cubase running on an Atari computer and several synths fairly common at the time. But the result was beyond anything common or ordinary. Described by its creator as “organic (ambient) house, but you can call it trance”, LAKE is rapture in its highest form. Pure enthusiasm seems to be driving this uplifting track, with an abundance of heavenly arpeggios and positive energy, along with masterful arrangements that make it even more grandiose, while retaining a light and dreamy quality (perhaps it is no coincidence that Lake in Serbian evokes weightlessness). It is one of those rare tracks that have a deep impact on body, mind, and soul and for which the repeat button was created. While adhering to a central theme, it never feels stale and this is explained by the fact that it was arranged live, with InnVision muting and tweaking everything in one go, which makes this track a “deskmix”, to use dub terminology. In fact, the producer remembers jumping



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