• 7inch
  • Digital


Got Myself a Good Man / Mango Meat

  • Cat No: FSR7094
  • Release: 2022-04-15

Format

Digital 460 JPY

誰もがグッとくるヒップホップ・ブレイクビーツ・レアグルーヴ必殺の名曲達を丁寧且つ愛情たっぷりに現行モダンファンク解釈カヴァーした、オーストラリア・メルボルン才人LANCE FERGUSONによる「Rare Groove Spectrum」「Rare Groove Spectrum, Vol.2」に続く待望新作7インチ!!!

Pucho & His Latin Soul Brothersによる、Gladys Knight「Got Myself a Good Man」のブーガル・ラテンジャズファンク名カヴァーのA面、そして、Jungle Brothersネタでお馴染みMandrillによるアフリカン/カリビアン・ラテン・ファンク名曲にしてブレイクビーツ古典「Mango Meat」、それぞれの原曲アレンジ魅力を最大限に活かしつつ、新たにモダン・ジャズファンクとしてヒップホップ・ブレイキンにフロアミュージックとして再構築した名演2トラック。 (コンピューマ) (7inchのコメントから参照)

Track List

24bit/44.1khz [wav/flac/aiff/alac/mp3]

Lance Ferguson is back for a killer follow-up 7" to his second volume of classic re-works and re-imaginings, Rare Groove Spectrum Vol. 2 - released on Freestyle in late January on LP, CD and digital formats.
We just couldn't resist putting this take on Pucho & His Latin Soul Brothers cover of Gladys Knight's Got Myself a Good Man on a 45. Keeping true to the source, yet somehow simultaneously sounding like no-one else, this version is 100% guaranteed to put a spring in the step of any crowd as the sun starts gradually to come out from hiding. Aside from the faithfully executed and expertly recorded drum-track, which sits pretty higher up in the mix than it's precursor, the star of this particular show comes midway through when Lance's lilting and sun-kissed guitar solo comes gliding in. If you can't move to this, even just a little bit, then you might actually be lacking a pulse. Backing things up is the undeniable latin-funk strut of Mandrill's Mango Meat. Given an instrumental work-out here with Remco Keijer's Flute and Daniel Mougerman's keys putting in work over a heavy-as-lead rhythm section, those delectable salsa-inflicted horns upping the spice levels.
Lance's work across the Rare Groove Spectrum series can often be looked on as something akin to a "live re-edit" on the originals, at times switching up sections or extending the groove. These two choice cuts however are a masterclass in subtly teasing out some of the original elements on the tracks that really make them work on a dance-floor, and bringing those to the fore while retaining 100% respect for the OG arrangements.

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