- Digital
            NHK yx Koyxen
              Climb Downhill 2
            BRUK
            - Cat No: BRUKLP1
- Release: 2023-07-14
- updated:
Track List
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1. NHK yx Koyxen - Fluido and Piacing 05:56
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2. NHK yx Koyxen - Lotus 03:32
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3. NHK yx Koyxen - Spider of Hanns Heinz Ewers 03:35
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4. NHK yx Koyxen - Extinction 01:22
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5. NHK yx Koyxen - It's Not Like Touching 03:11
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6. NHK yx Koyxen - Melancholy of Guillaume Apollinaire 02:02
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7. NHK yx Koyxen - I Can Watch It 03:33
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8. NHK yx Koyxen - Cosmos Smooth 03:29
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9. NHK yx Koyxen - Drive Smooth 10:14
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10. NHK yx Koyxen - When Getting Involved 05:08
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11. NHK yx Koyxen - Let's Open the Pandora Box 06:10
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12. NHK yx Koyxen - Witch of Nikolai Gogol 03:41
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13. NHK yx Koyxen - Lyre of Theodor Kellner 04:16
16bit/44.1khz [wav/flac/aiff/alac/mp3]
  Keeping the possibilities for Brukkage reliably wide as we enter the album sphere, we're proud to present a heavyweight long player from Japanese maverick Kohei Matsunaga, aka NHK yx Koyxen.
Keeping up with Matsunaga's past work requires a diligent detective, mangling his aliases like he mangles his sound but always coming up with provocative, rave re-arranging goods for labels like Diagonal, DFA, Pan, L.I.E.S. and right back to Mille Plateaux, WordSound, Important and Skam. If that sounds like a lot of name-dropping, it's simply to paint the picture of a long-serving polymath whose wares can attract the most critical ears, and as such it's a privilege to release a new album of his works.
On this new record he brings that unmistakable flair to a towering 13 tracks of side-swerving dance abstraction. From airlock electro reveries and music box malfunctions to blunted beatdowns thrown down dusty corridors, this album splits the difference between a suite of full-blown productions and the sketch-pad sonics of a mixtape. The hip-hop influence looms large, but it's pinged through oscillators oscillating at freak-frequencies and interrupted by creaky gates in need of a good oiling, upended by slippery pools of sonic interference. Consistently sick and never stalling, this is everything we needed from an album on Bruk, even if never could have predicted goods as cracked and precious as this.
      Keeping up with Matsunaga's past work requires a diligent detective, mangling his aliases like he mangles his sound but always coming up with provocative, rave re-arranging goods for labels like Diagonal, DFA, Pan, L.I.E.S. and right back to Mille Plateaux, WordSound, Important and Skam. If that sounds like a lot of name-dropping, it's simply to paint the picture of a long-serving polymath whose wares can attract the most critical ears, and as such it's a privilege to release a new album of his works.
On this new record he brings that unmistakable flair to a towering 13 tracks of side-swerving dance abstraction. From airlock electro reveries and music box malfunctions to blunted beatdowns thrown down dusty corridors, this album splits the difference between a suite of full-blown productions and the sketch-pad sonics of a mixtape. The hip-hop influence looms large, but it's pinged through oscillators oscillating at freak-frequencies and interrupted by creaky gates in need of a good oiling, upended by slippery pools of sonic interference. Consistently sick and never stalling, this is everything we needed from an album on Bruk, even if never could have predicted goods as cracked and precious as this.
 
    