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POWELL On The Feet Of A Wind

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POWELL、A ƑOLDERからのアナログ2NDリリース。

POWELLを中心にMichael Amstad and Marte EknæsのH!-sensitive filmの映像とのコラヴォレートやデジタルでの配信で今年スタートしているA ƑOLDERのフィジカルリリース。POWELLらしい先鋭かつ、遊び心あるサウンド。 (サイトウ)

▼ Tracklisting

1.Servenofunction, 19 (5:48)sample
2.A Line Of Flight, 1-3 (12:23)sample
3.Get He!p (3:09)sample
4.Acid Always Equal To The Base (5:56)sample
5.Rise, World Unfold I (2:18)sample
6.Rise, World Unfold Ii (1:28)sample
7.Rise, World Unfold Iii (3:01)sample

'Endlessly strange and formlessly mesmerising' - The Quietus. 'on the feet of a wind' is a wild assemblage of carbonated synthetic music from Powell and a sister record to 'flash across the intervals' and 'multiply the sides' - two albums already released in 2020. Recalling Xenakis, Parmegiani and Hecker but with the smile/smirk of vintage Powell, the record is released via a folder, a new music and film platform created by Powell, Michael Amstad and Marte Eknæs that bundles up music, film, image, text and other forms of madness into folders that are shared/expanded online.The release is accompanied by a 'Hi-sensitive' film directed by Amstad and Eknæs entitled 'flares, currents'. The film contains a recombined live version of 'rise, world unfold', the musical series that concludes this album. a folder is a collection of disorienting works of experimental film, ambiguous texts, and other assorted media set to the most brazenly strange and formlessly mesmerising musical structures of Powell's career. It's also a work of artistic assemblage, without fixed notions of time. Tarkovsky once described his filmmaking as "sculpting in time," and a folder exists in a similar kind of "zone;" it is a project continuously added to, subtracted from, abstracted, and injected into the glut of cyberspace like a slow moving pathogen that refuses to be defined or categorised. Shunning titles in favour of oblique category markers, films like aŸ34 present a mosaic of images of biological forms and sublime landscapes set to super-synthetic, carbonated compositions. All of this signals an artist liberated from the confines of the narrow branding signifiers an electronic musician can find themselves in. While it is aware of its place in cyberspace, this project also connects to something primordial and awesome. "Xenakis talked about creating universes with sound," says Powell, "and we are all free to create our own worlds in life, art - whatever. This is what happened to me in a way: I have been in this world for three years or something, and I don't really want to leave. The folder is a refuge.'



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