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VARIOUS A Heart In Splinters: More From The CAIFE Label, Quito, 1960-68

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HONEST JON'Sからエクアドルのムジカ・ナショナルの黄金時代の音楽を送り出すThe Caife Labelからのコンパイル。「A Heart In Splinters: More From The CAIFE Label, Quito」

▼ Tracklisting

A1.OLGA GUTIERREZ - A Veces He Pensadosample
A2.HERMANAS MENDOZA SUASTI - Alas De Sombrasample
A3.DUO BENITEZ VALENCIA - Amor En Tus Ojossample
A4.CASPI SHUNGO - Mal Pagosample
A5.GLADYS VIERA - Así Se Gozasample
A6.ORQUESTA NACIONAL - Ponchito Al Hombrosample
B1.LIDA UQUILLAS - Vida De Mi Vidasample
B2.LOS IñAQUINGAS - Blanco Liriosample
B3.SEGUNDO BAUTISTA - La Naranjasample
B4.DUO BENITEZ VALENCIA - Lindos Ojossample
B5.LOS BARRIEROS - Siendo Triste Vivo Alegresample
B6.SEGUNDO BAUTISTA - Soledadsample
C1.RAUL EMILIANI /HéCTOR BONILLA - Imploracion Indigenasample
C2.CASPI SHUNGO - Indio Soysample
C3.DUO AGUAYO HUAYAMABE - Mi Ultima Ilusionsample
C4.CONJUNTO CAIFE - Huasipichaysample
C5.HERMANAS MENDOZA SUASTI - Para Tisample
C6.OLGA GUTIERREZ - Despedidasample
C7.LUCHO MUñOZ - Lamparillasample
D1.DUO HERMANOS VALENCIA - Corazón Mío (Cansados Pies)sample
D2.LUIS ALBERTO VALENCIA - Toro Barrososample
D3.LOS BARRIEROS - Ashcu De Primosample
D4.DUO AGUAYO HUAYAMABE - Panuelo De Penassample
D5.HERMANAS MENDOZA SUASTI - Alma Enamoradasample
D6.DUO BENITEZ VALENCIA - Lamparillasample
D7.ORQUESTA NACIONAL - Atahualpasample

Impatiently returning to the golden age of Ecuadorian musica national, this second round of retrievals is more of a selectors’ affair: less reverent, more free-flowing, with more twists and turns. There is no let-up in the quality of the music, maintaining the same judicious, heart-piercing balance between emotional desolation and dignified endurance, the same bitter-sweet play between affective excess and formal sublimity.
This time around, the woman steal the show. Laura and Mercedes Suasti were child stars, with an exclusive Radio Quito contract. Unlike nearly all the men here, they lived long and prospered: Mercedes died last year, at the age of 93. Gladys Viera and Olga Gutierrez both came to Ecuador from Argentina. To start, Gladys plugged the scandalous new Monokini swimwear; Olga performed for visiting British royalty in 1962. Olga was glamorous but tough. She would make little of the amputation of one of her legs: ‘I don’t sing with my leg.’ She is accompanied on our opener by quintessentially reeling, sultry musica national: haunted-house organ, twinkling xylophone, Guillermo Rodriguez’ heart-plucking guitar-playing, and lilting, dance-to-keep-from-crying double-bass. ‘Sometimes I think that you will leave me with no memories,’ she sings, ‘that you hold only disappointments in store for me… In the future your love will search me out, full of regret. By then it will be too late, there will be no consolation, only disappointment awaiting you.’
Other highlights include the two contributions of Orquesta Nacional: Ponchito Al Hombro, like an off-the-wall forerunner of the Love Unlimited Orchestra, beamed into the tropics from an unknowable time and space; and the tone poem Atahualpa, a mystical yumbo invoking Quito’s most ancient inhabitants, the Kichwa. Also the tremulous, gypsy-flavoured violin-playing of Raul Emiliani, who arrived in Quito from Italy, suffering PTSD from the Second World War; the inscrutable, sardonic experimentalism of organist Lucho Munoz; and the mooing and whistling of Toro Barroso — cow-thief school of Lee Perry — in which a muddy bull dashes home to his darling chola, fearless, full of desire.

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