• 12inch


Light Blooming

  • Cat No: ccs125
  • 2023-04-06

Format

12inch 2790 JPY

Circus CompanyからのプロジェクトMonikerの「Billy D」2013や、Kammの一員としても知られるKenneth Scott。Circus Companyからのニューリリース。

変容するレイドバック・エレクトロニックなシンセ、ブレイクビート、エレクトロ、テックハウス。BPM 124、 キックレスから、ベースレスでゆったりとビートをうち、中盤からベースラインのグルーヴへと突入する「Firesound」筆頭に3トラックス。さらにエレクトロニック、浮遊感あるライト目のグルーヴの「Lost Sonar」もかなり良い、BPM 154アップビートに展開するタイトル曲の3トラックス。 (サイトウ)

Following well-received collaborative outings for us as 1/2 of the SF dynamo duo Moniker whose classic
“Billy D” anthem and respective Patrice Scott remix graced the early catalog, followed by the galactic
flex Straylight EP with Cali brethren Dave Aju on velvet vocoder vox b/w a stellar Kai Alcé remix on the
Another offshoot imprint, and of course his indelible contributions to the arrangements/derangement of
the wondrous KAMM LP Cookie Policies, Kenneth Scott is essentially an extended family household
name for our camp and so we’re beyond proud to present his initial solo release for the Circus Company
label proper. Schooled as always in the deepest of electronic music roots and classiest of track
traditions, the three pieces that form the Light Blooming EP puzzle display all the prized synth wizardry
and production ingenuity we’ve come to expect from the Berlin-based veteran.
“Firesound” kicks us off in fine form, with a glistening array of pads and tight arpeggios that give way to
a soulful funk strut that any fan of Detroit-style electro flavors will enjoy to the fullest. We then move to
the stylized 4/4 pulse of the aptly-titled “Lost Sonar”, an extended live set for Lost Sonar Collective
skillfully condensed and finessed into a smooth-as-silk true deep house cut, where warm synth tones
set the sound bed while shards of sharper percussion and angular textures flash and fizz throughout,
creating an ultra-fresh contrasting feel while a rock-solid groove grinds us along faithfully. Scott then
finally closes out the set with the powerful and titular “Light Blooming” which begins with a similar rising
pad intro before unleashing fierce and raw overdriven drum programming, teasing us out to the two
minute mark when the mighty sub bass line and multi-layered arps drop in to devastating effect, bubbling
and building to a bold harmonic apex, before eventually bringing us down softly and somehow with ease
after such a glorious rise.
Filled with early-Warp feels and futurist sci-fi hopes in equal measure, the Light Blooming EP is three
tracks of pure funk precision and expressive musical class from the man Kenneth Scott

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