• 12inch


Light And Shadow (Masalo Version)

  • Cat No: RH-STORE JPN 11
  • 2023-12-22

Format

12inch ---- JPY

MASOLOリミックス!寺田創一との共作やJAZZADELIC名義での活動でも知られる邦人プロデューサー永山学が2015年に手がけた国産ディープハウス名品。オリジナルはプロモーションのみのコンピレーションに収録されたもの。温度伝わるハンドパーカッション、クラシックピアノ。じっくりと音をレイヤーして物語を構築していく壮大スピリチュアルなハウスジャーニー。

〈RUSH HOUR〉がまたも素晴らしい発掘仕事!90年代初頭より楽曲制作を開始、HISA ISHIOKA (King Street Sounds)とのコラボレーションワークやPAL JOEYとユニット”Beautiful People”作品などでもカルトな人気を誇るMANABU NAGAYAMA。温かいパーカッションループ、徐々にドラム、鍵盤を躍動、レイヤーしていくことでメランコリックなディープハウスジャーニーを構築した「Light And Shadow」(sample1)。KAMMAとのDJユニットでもお馴染みMASALOがオリジナルの起伏ある展開を新たに付与したリミックスもグッド。 (Akie)

When it first slipped out in 2015, Manabu Nagayama’s ‘Light & Shadow’ passed most people by. Yet it’s a genuinely overlooked gem a musically expansive and uplifting Japanese deep house workout that first featured on a promo-only compilation back in 2015. A softly spun slab of slow-building brilliance full of fluid piano motifs, heady hand percussion, the track effortlessly sashays between heartfelt dancefloor melancholia and tactile deep house positivity. One DJ to see its potential was Rush Hour co-founder Antal Heitlager, who asked Masalo to remix it. Over ‘a few years’, Masalo worked on the revision in bursts, tweaking it and subtly altering the arrangement until he was happy. The results are undeniably impressive, elevating an already excellent track to whole new levels. DJs seem to agree, too, with Masalo’s fine remix becoming something of an underground anthem following the release of a limited number of white label test pressings earlier last year.

Taking the spiritual end of deep house as his inspiration – and happy memories of attending events while visiting Japan – the Dutch-Japanese producer has delivered a slowly-building epic that subtly ratchets up energy and excitement throughout, while effortlessly eking out every last drop of emotion from Manabu’s piano-laden production.

Extensively road-tested at the Brighter Days parties he runs with long-time DJ partner Kamma, Masalo’s remix settles into a chugging groove before introducing Manabu’s tactile hand percussion – a staple of spiritual deep house cuts – and melancholic piano refrains, as well as his own lilting chords and cascading synth sounds. By the time the original’s bouncy piano riff drops midway through, you’ll be lost in the music. Fittingly given the quality of Manabu’s original, it’s a revision that showcases the track’s best elements while gently lifting it to new heights.

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