“In May 2024, the Brazilian state of Rio Grande do Sul, where I was born and have lived all my
life, faced the worst climate catastrophe in its history. After weeks of relentless, torrential rain, its
rivers overflowed, flooding much of the region. Entire cities were submerged. More than 170
people lost their lives, and hundreds of thousands of animals perished. Amid this dystopian and
desperate situation, flux was composed and recorded in about a week. Initially, the album was
created solely as an exercise to maintain my mental health. But when I finished it, I realized that it
had become a kind of “sound portrait” of this dark moment—days filled with pain and suffering. Yet
it was also a meditation on the ephemerality and fragility of life, and the struggle to survive.”