The melody, described by Pitchfork as "a unique melody patiently and carefully cultivated like a gardener," goes beyond environmental music inspirations and has a unique boxyard feel like 8,90`s Japanese game music that is somehow familiar to Japanese people. The "mountain music by Panfruto" style described in the material may also refer to the synth sounds used in the South American traditional music "Ouaino".
The photographs in the water droplets in the artwork were taken by the members in Yosemite and Inyo National Forest, which were then enlarged with macro photography, with the water droplets acting as the lenses. This visual symbolizes the music of this album, which moves between the organic and the digital.
The entire album is structured to travel from the ocean to the mountains and into more abstract realms. The members say that even though they are in the city, they try to maintain a connection with nature by using the things around them, and this is indeed a stable quality by Green-House, which has started to create its own sound from ambient and environmental music inspirations. The more you listen to it, the more you get hooked. I hope they come back to Japan! (From the comments on the LP)