Following a recreation of John Cage’s 88-tape-loop work *Rozart Mix* and collaborations with Lucrecia Dalt, Kim Gordon, and others, this album compiles approximately a decade’s worth of solo recordings. Inspired by Alvin Lucier, Hugo Montenegro, and Andy Milligan’s trash movies, this is noise music characterized by distortion and transformation—a fusion of found sounds buried in feedback, field recordings, his own voice, and tape hiss. The album features a variety of unconventional materials, such as a drone created by rubbing two bows together on the Nepalese string instrument, the sarangi, and a collage of chopped-up readings from a book about a noisy 18th-century French religious sect. From hellish, echoing laughter to white noise that sounds as if submerged underwater, to synth-funk playing in a post-human club scene—based on music originally created for the CG animation *Supporting Actor*. A thrilling album where tragedy and comedy, destruction and farce sit at the same table. (Original Japanese text by Adachi)