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CAPT’AIN CRÉOLE Ni Bel Jounin

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1979年、パリ郊外にて、西インド諸島と北アフリカ出身5人のメンバーによって結成されたクレオール・レゲエ・バンドCAPT’AIN CRÉOLEの鯔背で危険な唯一のレコードが奇跡の12インチ復刻!!!クレオール語で歌われたアフロ、カリビアン、ロック、ファンク、ディスコティック・レゲエ&ダブ、シンセサイザー電子音の衝突音がコズミック狂おしくかっこいい。

当時、BEAUMONDEレーベルよりごく少数のみ個人プレスされ配布されていた彼ら唯一のレコードの2020年リマスタリング・アナログ復刻。ライナーノーツ封入。 (コンピューマ)

▼ Tracklisting

A.FRE MOINsample
B.NI BEL JOUNINsample

1979. The suburbs of Paris. Five friends, whose origins stem from the West Indies and North Africa, came together to form Trenchtown Meditation, a “creole-speaking” French reggae band.
Heavily inspired by the seminal sound of Bob Marley, Trenchtown Meditation was one of the pioneering bands of the burgeoning French reggae scene. It was also at this time that France saw the explosion of pirate radio stations; like many other bands of the era, Trenchtown Meditation would play live sets on-air in these small radio shacks in between gigs on the various scenes of Paris and its vicinity. The band also got their 15 seconds of fame in 1983 when they appeared on the French TV show “Aujourd’hui La Vie- ‘Spécial Exotisme’”. It was during this busy period that the band recorded an 8 tracks reggae album (which to this day remains unreleased). But in spite of their record and strong desire to make a living from music, the daily grind caught up with the band; in 1984 the guitar player quit the band.

Subsequently, the four members decided to rename the band Cap’tain Créole with the aim – while remaining true to its reggae roots – of exploring new musical horizons, driven by the will to go beyond all that they’d done up to that moment.
The group had access to a professional recording studio and quickly decided to cut a new project. With the help of 3 new members – among them a sax player and a trumpet player, both coming from the jazz scene, who helped define the new sound of Cap’tain Créole – they recorded their unique outing called Ni Bel Jounin. It’s a single composed of 2 titles Fré Moin / Ni Bel Jounin, both sung in créole, which was clearly unusual for the time.

Both tracks are at the crossroads of many universes: Afro, Rock, Funk, Reggae and the result is quite unique! The band also used with great impact some subtle electronic elements. “Fré Moin” catches you instantly while “Ni Bel Jounin” strikes the listener with its beauty. The spiritual vibe that oozes from the record is an obvious marker of their reggae roots.
Privately pressed and self-distributed in small quantities at the time, BeauMonde is proud to make the one and only record of Cap’tain Créole available again.

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