• LP

Vahana #2

  • Cat No: CRACKI052
  • 2020-08-18

シンセサイザー・サウンドのディープネス。Leon X LeonやFalamourなんかもリリース、ジャンル垣根を超えてリリースするフランスのレーベルCRACKIからMARK DU MOSCHとELIOTT LITROWSKIによるスプリット。

RONDENIONとフランスのKICKSの「Vahana #1」に続く第2弾。〈MOUSTACHE〉を拠点に様々なレーベルからリリースするオランダのMARK DU MOSCHと〈CRACKI〉や〈MOUSTACHE〉からもリリースのあるELIOTT LITROWSKIのスプリット。ダビー、レトロ・ハイブリッドなシンセサイザーのサイファイ、捻れた世界が素晴らしい。ジャケットのアートワークも良い。コアなシンセサイザー・ミュージック・ファンにおすすめです。 (サイトウ)

Track List

Mark Du Mosch and Eliott Litrowski. This is the new association that makes up our Vâhana #2. This unique alliance perfectly represents what Cracki Records wishes to create and transmit with its project “Vâhana", i. e. the meeting between an established artist and an artist in the making. On the one hand, the experienced Dutch producer, respected by the entire electronic scene thanks to his raw and emotional work. In the imagery of Cracki Records, he would be the equivalent of the Indian god Ganesh, a huge elephant symbol of intelligence and power, who came to illuminate the minds of all with his extensive knowledge. At his side, Eliott Litrowski, the young French revelation living in Copenhagen, with mad energy and boundless creative ambitions. At the head of his own label “Fuego International", he also recently released “Smock Machine", the latest release on David Vunk’s label Moustache Records. Eliott here represents the “Vâhana” of the god Ganesh, i. e. his mount, which is represented in Indian Mythology by a malicious and stirring little mouse. Thanks to his help, the imposing Ganesh can finally get everywhere and solve all the problems. For this Vâhana #2, elephant Mark and mouse Eliott join forces and offer us a two-part adventure. Eliott opens the ball with “Fistebar", and sends us to distant horizons, with a gentle introduction dressed in cosmic arpegiators. “Hello wave” then takes us aboard a spaceship for a wild and rich race in suspense, before moving on to the song “Peace zone". Contrary to what its name suggests, this excited title is a real intersidereal war zone where lasers are flying. The second part, directed by

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