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Rose Keeler-Schaffeler
Universal Language
Magic Hollow - Cat No: MH002
- updated:2026-10-21
クラシカル声楽的な発声コーラスの多重録音とシンセサイザー・エレクトロニクスによるエンジェリック・アンビエント・ニューエイジ意欲作。歌や言葉になる以前の「声」を探究する作品にして、人間によるコミュニケーションのもっとも原初的な形態（赤ちゃんの言葉、鳴き声、ため息、言葉以前の本能的な発声等からインスピレーションを得ながら制作されたアルバム、Rose Keeler-Schaffeler「Universal Language」LP入荷しました。
Track List
ROSE KEELER-SCHAFFELER
UNIVERSAL LANGUAGE
Magic Hollow (MH002)
Before we learn language, we learn the voice.
Universal Language is the second release on Magic Hollow and an exploration of the voice before song and before speech. Written and recorded during pregnancy and early motherhood, Rose Keeler-Schaffeler's album draws inspiration from the earliest forms of human communication: coos, cries, sighs and instinctive vocalisations that precede language yet already contain the seeds of music.
Best known as Keel Her, the cult DIY songwriter, producer and NTS Radio DJ whose fiercely independent body of work helped define a generation of bedroom pop, Rose reveals a strikingly different side of her musical practice here. Produced by Daniel O'Sullivan, Universal Language places the human voice at its centre, treating it not as a vehicle for lyrics but as the raw material from which music, language and relationships emerge.
With the exception of a handful of bass vocal parts performed by O'Sullivan, every voice heard on the album is Rose's own.
Across twelve meticulously composed pieces, layered vocal arrangements intertwine with subtle electronics, tape manipulation, synthesizers and understated drum machines. At times the music evokes the luminous purity of medieval sacred music; elsewhere voices dissolve into hazy ambient textures or unfold through hypnotic loops that blur the distinction between singer, choir and atmosphere.
The album was recorded during the first year of her son’s life. Many of its melodic contours and vocal gestures were inspired directly by his earliest sounds. His pre-linguistic attempts at communication became compositional material, guiding Rose towards a deeper exploration of the voice at its point of origin.
Deeply personal yet reaching towards something universal, Universal Language is a meditation on the human voice: our first instrument, our first language and our first experience of belonging.
UNIVERSAL LANGUAGE
Magic Hollow (MH002)
Before we learn language, we learn the voice.
Universal Language is the second release on Magic Hollow and an exploration of the voice before song and before speech. Written and recorded during pregnancy and early motherhood, Rose Keeler-Schaffeler's album draws inspiration from the earliest forms of human communication: coos, cries, sighs and instinctive vocalisations that precede language yet already contain the seeds of music.
Best known as Keel Her, the cult DIY songwriter, producer and NTS Radio DJ whose fiercely independent body of work helped define a generation of bedroom pop, Rose reveals a strikingly different side of her musical practice here. Produced by Daniel O'Sullivan, Universal Language places the human voice at its centre, treating it not as a vehicle for lyrics but as the raw material from which music, language and relationships emerge.
With the exception of a handful of bass vocal parts performed by O'Sullivan, every voice heard on the album is Rose's own.
Across twelve meticulously composed pieces, layered vocal arrangements intertwine with subtle electronics, tape manipulation, synthesizers and understated drum machines. At times the music evokes the luminous purity of medieval sacred music; elsewhere voices dissolve into hazy ambient textures or unfold through hypnotic loops that blur the distinction between singer, choir and atmosphere.
The album was recorded during the first year of her son’s life. Many of its melodic contours and vocal gestures were inspired directly by his earliest sounds. His pre-linguistic attempts at communication became compositional material, guiding Rose towards a deeper exploration of the voice at its point of origin.
Deeply personal yet reaching towards something universal, Universal Language is a meditation on the human voice: our first instrument, our first language and our first experience of belonging.
DIY精神溢れるシンガー・ソングライター/プロデューサー/NTSラジオDJとして「Keel Her」としても知られ、インディペンデント・ベッドルーム・ポップス・シーンの一時代を築いたロンドン才人Rose Keeler-Schaffelerが、妊娠中から出産後に制作・録音した意欲作アルバムで、ローズ自身が、ほぼ全ての声を自身で奏でている。緻密に構成された12曲は、幾重にも重ねられたボーカル・アレンジメント、繊細なエレクトロニクス、シンセサイザー、テープ・マニュピレーション、わずかなドラムマシンの音色をによって絡み合いエレクトロニカ・アレンジされている。
エンジェリック聖歌隊、中世クラシカル宗教音楽のような雰囲気を纏いながら、催眠的でアンビエント・ニューエイジな音楽世界を繰り広げてくれている。 (コンピューマ)