- LP
- LP(used) (used)
- Recommended
- Back In
Bim Sherman
Ghetto Dub
Week-End
- Cat No.: WE19
- 2026-11-05
A miraculous cult dub masterpiece by Bim Sherman that combines the radicalism and experimentalism of late 1980s UK dub with immersive and tranquil soundscapes in solid splendor! The first long-awaited official analog LP reissue of the spiritual cosmic dub masterpiece "Ghetto Dub", which had been hard to find for a long time due to its limited underground release in 1988! Highly recommended. It's a case! The label's first pressing sold out immediately. Finally, it has been reissued. The long-awaited reissue is now available! We strongly recommend it.
Track List

A miraculous masterpiece dub album that bridges roots reggae and experimental dub and lays the foundation for the fusion of the Jamaican sound and the UK underground scene.
Bim Sherman, who moved from Jamaica to the UK in 1979 and was one of the leading singers of ON-U-Sound, has a timeless, spiritual, ethereal, and profound voice, and has work ...Read more (Original Japanese text by COMPUMA)ed with such master artists as King Tubby and Prince Jammy, The mixes by Adrian Sherwood, a leader in the post-punk experimental dub scene, Sly & Robbie, Style Scott, Bingy Bunny, Vin Gordon, Flabba Holt, Steely, Chinna, and Roots Radics, The Glasiators, and other members of the ON-U network and roots reggae greats, all of whom have come together to create a spacey, cosmic, minimal, experimental, tranquil, dubwise, and mellow sound. Produced by Bim Sherman himself. Includes A2 "Station Dub" (sample 1), a popular song with mellow and dreamy chimes and robo-voices. 10 tracks in total.
Suzanne Ciani "Improvisation On Four Sequences", Fred Frith "Guitar Solo / Fifty", Dinosaur "Kiss Me Again", Marshall Allen "New Dawn", Keith Hudson "Playing It Cool & Playing It Right", "Nuh Skin Up Dub", and many more. The long-awaited new release No. 19 by Week-End Records, a label started by Week-End Festival in Cologne, Germany. This is another excellent reissue of a masterpiece, mastered by Stephan Mathieu, and the sound quality and sound pressure are just right. (Original Japanese text by COMPUMA)