▫️information▫️
『Bisou returns to GAMM for round two, delivering a heavy blend of Caribbean disco and bumping Afro-Funk.

The A-side, 'Do It To The Disco', takes a raw steel band funk jam and gives it a stomping, peak-time disco twist.
| Flip it over for 'Not That Simple', a gritty, 4/4 Afro-Funk weapon loaded ...Read morewith big chanting vocals.

Enjoy the dance...
』

Originally released as a single in 1978. A promo-only 12-inch long version apparently exists, but this is a reissue of the original 7-inch version. You can hear the influence of the Paradise Garage here: Afro-Latin percussion, disco-funk psychedelia and DIY charm that speaks the same language as the underground disco typified by P&P — powerful, hot sounds and grooves with an unmatched brilliance. (Original Japanese text by Saito)

A-SIDE is BIG BEAR, a group formed in 2000 by Paul 'Mudd' Murphy and others after Akwaaaba disbanded, and this track is a tribute to the re-edit featuring “By The Way You Dance,” It’s a re-edit of the 1979 track “By The Way You Dance” by Bunny Singler—a legendary Philly disco singer and producer who made his mark on labels like SALSOUL and Philadel ...Read morephia International—titled “Pablo & Shoey’s Big Bear Disco Dub.” It features a cool disco dub break, and the bass’s raw, gritty sound is a major highlight. The B-side is First Choice’s “Hold Your Horses” (Pablo and Shoey Tribute to Baldelli Cosmic Dub), a tribute to Daniel Baldelli. (Saito)

▫️information▫️
『  The latest edition of 'Downtownsounds Classics' arrives from Dublin disco messers Fatty Fatty, just in time for the summer sunshine ! Fully licensed and cut loud on 12 inch vinyl the way God (aka Walter Gibbons) intended, it sees in-house producers Pablo and Shoey take on two choice cuts from the legendary Salsoul label. Salsoul was the very first label to release a commercially available 12 inch remix - the aforementioned Gibbons and his 9 minute extension of Double Exposure's '10 Per Cent'. They would go on to issue a raft of underground disco classics with mixes by the legendary likes of Larry Levan, Tom Moulton and Shep Pettibone. Having robbed the famous 'Baker-Harris-Young' rhythm section from Philadelphia Records, they defined the disco sound in the second half of the 1970's and kept roaring well into the next decade. The new mixes pay explicit tribute to two hugely formative influences on the Fatty fellas - The A extends the mysterious and wondrously wonky Big Bear edit of Bunny Sigler's 'By The Way You Dance'. Back in the day, these cosmic under-the-counter 12s helped show the Fatties how to disco real right, and they've stood the test of time wonderfully. This one has been at the front of Pablo's bag for longer than he cares to remember, and now the rest of the world can enjoy it, with some extra Pablo and Shoey disco magic thrown in for good measure... Speaking of cosmic, the flip sees the lads turn in a stripped-back, ever-building mix of First Choice 'Hold Your Horses'. Having first heard this played by the Cosmic King himself, Danielle Baldelli, they found themselves let down by the commercially available mix. Through the disco haze, and with some subtle stemming, several outer-space whooshes and a string/vocal climax to die for, they've tried to recreate the way they heard Baldelli play it... With the classic Salsoul artwork also present and correct, this is a love letter to perhaps the most important label in dance music history, with music that still sounds amazing five decades on... Don't sleep!  』

According to Discogs, the acetate of Walter Gibbons’ “Can’t Stop Talking” was produced by MELTING POT—an acetate label that preceded Sunshine Sound—and dates from 1973 or 1974. It features a track by female soul singer and reportedly features Koke from the funk band Tribe—also produced by Dee Irvin—and is said to be one of the very earliest compila ...Read more (Original Japanese text by Saito)tion acetates released by Walter on his own acetate label. While it’s unclear whether this reissue—said to be remastered from Walter Gibbons’ unreleased archives—is identical to the Meltin’ Pot version, it features a 13-minute tape-edited medley that uses effects to transform the tracks into disco tools. It’s a captivating record not only for fans of Walter Gibbons but also for anyone who enjoys raw disco grooves, and while it has its rough edges, that’s all part of its charm. (Original Japanese text by Saito)

The latest release from record collector MONSIEUR VAN PRATT’s *ILLEGAL DISCO* series—which caused a huge stir with its fourth installment focusing on Japanese rare groove! DISCO 86 features a masterful arrangement that takes Rod Stewart’s original track—with its flashy sound—and reworks it with acid elements, creating a “reverse import” effect whil ...Read more (Original Japanese text by Akie)e also showcasing the playful cadence of Spanish lyrics. Led by “Crees Que Soy Sexy” (sample 1) and featuring Mexican superstar José José’s Latin disco hit “Linda Disco” (1979), this release once again showcases a digger’s unique selection and dazzling production, delivering edit-disco tracks guaranteed to get the dance floor moving instantly! (Original Japanese text by Akie)

Following *Evangelion* and *Berserk*, here’s the third entry: *Saint Seiya*. The A-side features the mega-rare disco track “Sizzlin’ Hot” by PARADISE—which, despite being reissued in 2016, is still extremely hard to find—and is tailored for DJ use with a beefed-up bassline and just the right amount of cut-ups and loops to get the dance floor moving ...Read more (Original Japanese text by Akie). The B-side is an excellent pick: “True Love Is My Destiny” by James Wells, a disco-soul track produced by the legendary Ian Levine, whose Hi-NRG production work is particularly memorable. (Original Japanese text by Akie)

▫️information▫️
『Glasgow's Al Kent needs no introduction when it comes to being a certified disco digging aficionado. He makes his debut to Big Love with this live rendition of his biggest tracks to date with The Disco Love Orchestra. A labour of love that we're are so pleased to share with you.

DJ Support: Moodyman, Groove ...Read moreArmada, Folamour, Horsemeat Disco, DJ Deep, Art Of Tones, Sophie Lloyd, Terry Farley, Stuart Patterson and Seamus Haji
』

-label information-
Sadar Bahar & Marc Davis, a dynamic disco-gospel duo from Chicago, have teamed up with Treasure Box Records, a well-known Osaka-based dance music label run by DJ/producer Hankyovain and his family.
The result of this special collaboration is the “Disco Gospel Japan EP.”
It is a work that masterfully fuses the soulful ...Read moreessence of Chicago gospel with powerful, addictive disco vibes.
This Japan-exclusive release features two rare edit versions that are sure to set the dance floor ablaze with the duo’s signature tasteful and groovy track selection.

From “Rock The House” (1983) by THE B BOYS—a track that epitomizes early hip-hop DJ culture—to “Lookin’ Good” by EDDIE CHEEBA, a disco-rap masterpiece released just before hip-hop broke away from the disco sound, , and the party rap “Maximus Party” (1981) by the old-school rap trio MAXIMUS THREE. With bold mixes—such as a mashup of classics like ZH ...Read more (Original Japanese text by Akie)ANE’s “Hey Mr. DJ”—this masterful mix brings out the charm of early hip-hop classics, where MC performances ride atop the dance grooves of disco-funk! (Original Japanese text by Akie)

You’ll be captivated by their signature crisp, heavy drum breaks, funky yet understated basslines, and guitarist Geoff Lai’s sweet vocals. And above all, the “STRING DUB” on the B-side is absolutely amazing. String-infused dub, a supremely smooth and melt-in-your-mouth dubwise track (sample 2)—it’s irresistible. A limited-edition 7-inch with a hand-stamped sleeve. Don’t miss out—get yours soon! (Original Japanese text by COMPUMA)

Robin Lloyd, a singer from Los Angeles, was active in the Mods scene in the 1960s and as part of a funk band on “Truth,” a sub-label of Stax, in the 1970s. This is the self-titled debut album by the band he formed, leading a group of musicians active in the Dallas local scene; this is the band’s only album. It features a total of six tracks, includ ...Read more (Original Japanese text by AYAM)ing “Our Love Is So True” (sample_1)—which had already garnered attention through its inclusion on a compilation—as well as the high-energy disco track “One Night Affair” (sample_2), with its killer break, and the mellow, breezy, and sweet “I Wanna Live With You” (sample_3). It’s also a plus that all the tracks are on the longer side, clocking in at over four and a half minutes each. (Original Japanese text by AYAM)

▫️information▫️
『Lee Alfred’s “Rockin' - Poppin' Full Tilting” is the forgotten dance floor filler of your dreams. Or rather, Alfred’s dreams. Music surrounded Alfred in his sleep, inspiring him to translate those dreams and make them a part of his reality. Assembling a local ensemble of St. Louis talent, includ ...Read moreing the likes of David D. and James Thompson, Alfred booked time at Earth City Studios and released music through his very own Cancer Records in an attempt to immortalize those sonic visions that felt so fleeting. “Rockin’ - Poppin’ Full Tilting” was Alfred’s inaugural incantation that narrativized a playful journey from a living room couch to a humid dance floor where all your loneliness and frustrations could melt away.
』

From Japan, there's even George Yanagi's "Matsuribayashi ga Kikoeru no Theme" (sample2), the theme song to the drama starring the late Kenichi Hagiwara. Despite the selection spanning wildly different tracks from across the world and across eras, the exotic, soulful ease and just-right feel that only they could pull off comes through beautifully — ...Read more (Original Japanese text by COMPUMA)as you'd expect. Courtesy of the label, an original poster is included on a first-come, first-served basis (offer ends once supplies run out). Black vinyl, 180g heavyweight 2LP, with mixed/unmixed download code. Please check out the tracklist as well. It's great that each of the 14 tracks comes with download data too. (Original Japanese text by COMPUMA)

The original was released in ’79 by Warner. Produced by Nicholas Ashford and Valerie Simpson, with renowned disco producer John Davis also contributing, this early-morning disco anthem—also known as a garage-loft classic—has been completely reconstructed from scratch using the original 48-track, 2-inch multitrack tape. Precisely because it stays tr ...Read more (Original Japanese text by KANO)ue to the original, Joe Claussell’s editing prowess really shines through. Although the edit runs over 10 minutes, the track unfolds so quickly it feels like a blink of an eye—a must-have edit that’s guaranteed to keep you dancing until the very end. It’s a real treat to listen to. The B-side features the “Alternate Instrumental.” With its minimalist arrangement and restrained sound, it’s perfectly suited for the late-night dance floor. This version has reportedly been play-tested and refined on dance floors around the world for several years, proving its worth in actual club settings!
*While needle skipping was confirmed on the first pressing (green vinyl), this issue on black vinyl has been corrected. We checked it in-store and found no needle skipping. (Original Japanese text by KANO)

GLEDD, a cult favorite known for designs that capture the energy of gospel soul, Afro-tribalism, and disco-funk, has announced the first release in its highly anticipated new series, “Gleddits”! “Street Preacher” features spoken word reminiscent of early rap layered over an uplifting chorus. Next up is “Stevie’s Word,” a gospel-soul edit where a th ...Read more (Original Japanese text by Akie)ick bassline fuels the funk’s intensity. Also featured is “Do It For Me,” which takes 80s funk legend Jimmy Castor’s “Anyway, Anywhere, Anytime” as its foundation while highlighting powerful stabs. (Original Japanese text by Akie)

Originally released in ’76, “Jolene” is a country-disco classic that has been loved across generations and is also known for covers by artists such as Olivia Newton-John and The White Stripes. This is an edit version by Norwegian edit master Todd Terje. Although it was originally released by TTJ in 2015, this underground hit—which had been played e ...Read more (Original Japanese text by KANO)xtensively by DJs of the time even before that—is now being released unofficially on 7-inch vinyl. The first half keeps you hooked with the beat being added and removed, while the mid-section features Dolly Parton’s wistful vocals cutting in—a great progression. It retains a folksy vibe while coming together as a country-Balearic downtempo edit. (Original Japanese text by KANO)

A new release from the legendary RAHAAN, who has established a solid reputation as a master of editing—effortlessly navigating genres ranging from disco, soul, and funk to R&B—while continuing to release music in collaboration with 〈RECORDINGS〉! “Allright” is a clever rework of “Tonight I’m Alright”—a masterpiece blending jazz-funk and boogie by th ...Read more (Original Japanese text by Akie)e masterful NARADA MICHAEL WALDEN (who later made a name for himself producing WHITNEY HOUSTON, among others) and a track selected by MURO—featuring lighthearted dub processing (sample 1). The B-side features “Strategy” by ARCHIE BELL AND THE DELLS—a hidden gem of Philly soul-style disco beloved by R&B fans—reworked into “My Strategy” (sample 2), a long, instrumental-driven version, making for a powerful release on both sides. (Original Japanese text by Akie)

『2026年再プレス／再プレス・スリーブ 収録曲 A. Ooh What A Life! (Gerd Janson & Shan Edit) B. Heaven (Gerd Janson & Shan Edit) 概要：人生はミラーボールのようなもの！ ランニング・バックからリリースされる、ディスコやポップの影響を受けた「スーパー・サウンド・シングル」シリーズの第一弾（このシリーズが長く続くことを願って）は、紛れもないギブソン・ブラザーズによる作品だ。 彼らの最大のウェディング・ヒット曲「Cuba」や「Que Sera Mi Vida」はひとまず脇に置き、慈善活動にも熱心で、思わず笑顔になる「Ooh, What A Life」が、Shan & Gerd Jansonによるエクステンデッド・エ ...Read moreディットで生まれ変わった。彼らは余分な部分を削ぎ落とし、現代のダンスフロアで楽しめるように仕立て上げた。 B面では、彼らが「Heaven」をリミックスし、磨きをかけて、ディスコとハウスが融合したトラックに仕上げています（フィルターとループは必須）。ジョン・リンドンの言葉を借りれば、「ディスコは最悪？　そんなこと、俺からは聞いたことないよ」。 (インフォメーションより)』