A collection of sketches born from improvisations on electric guitar and piano. While he has released music on RVNG Intl., this album fully showcases M. Sage’s signature laid-back style, created while raising his children in his hometown of Colorado. Prymek also appears to be involved in design and curation in Salt Lake City.
Recorded at M. Sa ...Read more (Original Japanese text by Shhhhh)ge’s barn-style studio in Bar Sod, Colorado. The press materials describe it as “an idyllic meditation in the mountains,” and that’s exactly what it is. Music for naptime. It’s the best.〜 (Original Japanese text by Shhhhh)

Completely different from classical or ambient jazz-style piano, this album blends the blues-jazz tradition from an Americana perspective with the sounds of his everyday life. Rather than field recordings, it’s a diary-like work that interweaves the sounds of him playing the keys and pressing the pedals in his home studio. He has previously release ...Read more (Original Japanese text by Shhhhh)d piano works as part of the “Some Piano” series, but this 2024 release, “Wethering Some Piano,” perfectly captures his current mood.
The word “Wethering” in the title could be translated as “being exposed to the elements” or “enduring hardships.” It’s an elegant choice of title befitting a veteran artist, yet his piano touch is neither introspective nor abstract; rather, it evokes the simple, sepia-toned nostalgia of the primal sadness and joy found in blues and jazz. There’s a mysterious sense of stability, with a kind of gentleness lingering beneath the surface—a worldview that perfectly matches the album artwork. And part of the reason it feels so current right now is likely because it’s released by L.A.’s AKP Recordings, the label that introduced artists like M. Sage and Kalia Vandever.
Personally, I was on a repeat loop for this one for a while—I really want this on vinyl too! (Original Japanese text by Shhhhh)

The members of this LS Plus project include Melody as Truth and numerous other artists from Suzanne Craft; Phil Cho of SY3, whose recent album on Music from Memory was well-received; Jeremy, the manager of Bar Part Time; and members of Loveshadow, a DIY pop duo from the San Francisco Bay Area that has also released an album on mfm. In short, it’s p ...Read more (Original Japanese text by Shhhhh)acked with the current spirit of West Coast indie music. I think this vibe and sense of freedom represent one of the ways American indie rock is evolving today.
A must-listen for fans of the mfm scene, as well as house DJs and those into lounge and listening music. It’s great!〜 (Original Japanese text by Shhhhh)

An anniversary release from 〈CULTIVATED ELECTRONICS〉, led by SYNC 24, which has been pioneering the forefront of the scene for 20 years while bringing in countless electro masters and actively expanding its vinyl-only sub-label! This release pays homage to the label’s first release, “CE001 A1,” which has become increasingly difficult to find. “Brea ...Read more (Original Japanese text by Akie)kthrough” (sample 1) is an electro jam featuring sharp, fast-paced electro drums—clearly designed with the dance floor in mind—and cosmic synths that paint psychedelic patterns. And to mark this milestone, the lineup of remixers is stellar. CARL FINLOW—who continues to be active with RALPH LAWSON at 20:20 VISION—under his SILICON SCALLY moniker, presents a deep-range remix that softens the original’s high-end sharpness with an immersive soundscape! (Original Japanese text by Akie)

At first glance, the distinctly ’70s-style artwork might lead you to think this is just another reissue, but it turns out to be an edited split release with a modern cover design—an intriguing production that makes you wonder if it’s a reimagining of rare groove or perhaps another ’90s revival.
Forager Records was launched in Los Angeles in 20 ...Read more (Original Japanese text by Shhhhh)20 by record collector and designer Matthew Bruce and Sam Hirschfelder, who handles audio restoration and mastering. This is a gem from Forager Records, whose motto is direct dialogue with the artists themselves and their families, meticulous research, and official licensing.
Suitable for all generations. Undeniably good music!!!! Every track is great, but personally, I love Roberta Vandervort’s “Hey Now (sample2),” which has a Northeastern Brazilian vibe—though there are plenty of other great tracks too! This one’s a must-have on vinyl! (Original Japanese text by Shhhhh)

A four-piece band formed in Grayling, a small town in Michigan, centered around two teenagers named Phil Stancil and Doug Slater. Rather than focusing on the hippie-esque dreaminess of the era, these eight simple yet beautiful tracks shine a light on young sensibilities shedding their pretenses to sing candidly about heartbreak, longing, alienation ...Read more (Original Japanese text by Shhhhh), and love. It even brings to mind the term “free soul.” A rare groove from the 2020s that can also be enjoyed as chill or ambient music. Let’s go about our day with the dazzling morning sunlight, coffee, and a touch of swagger. This is the kind of record you’ll want to listen to for years to come! It’s absolutely fantastic. (Original Japanese text by Shhhhh)

A major release from the veteran electro label *INTERDIMENSIONAL TRANSMISSIONS*, home to artists like NEEL, JAMAL MOSS, and LOVE LETTERS! OCTO OCTA and ERIS DREW—two artists who share a deep love for the dance floor—have finally teamed up on a production project. They holed up at Detroit’s BMG Studios and crafted this track using hardware. The resu ...Read more (Original Japanese text by Akie)lt is a maximalist sound deeply rooted in the rave essence of the early ’90s—acid house, rave techno, breakbeat, and big beat. A chaotic interplay of sounds—so intricate it’s hard to tell which are samples and which are live instrument recordings—and intense rhythms run throughout the entire release. It features the psychedelic chaos and groove that define their own DJ sets. You can preview every track from the tracklist! (Original Japanese text by Akie)

Due to various circumstances, this release had been delayed, but it has finally arrived.
DANIEL AGED, bassist and multi-instrumentalist for the American brother duo Inc. / Inc. No World on 4AD—a label with close ties to SAM GENDEL and the LEAVING/RVNG INTL. scene. This album features solo improvisations centered around the bass, with additiona ...Read more (Original Japanese text by Saito)l use of acoustic guitar and synthesizer. If you take the time to really focus on the sound, a wonderful world opens up. Be sure to check it out. (Original Japanese text by Saito)

What began as a stoic experiment limited to the use of only electric guitars eventually evolved organically with the addition of piano, cello, and trumpet. While dramatic developments are absent, a soundscape that shifts subtly over time—one that evokes a sense of narrative—spreads out gently. “I wanted to create a work that simply allows you to ‘b ...Read more (Original Japanese text by Adachi)e’ within the sound. Without expecting anything”—the spirit that seems to exude such gentleness is truly precious. Ambient Americana. Take a deep breath. (Original Japanese text by Adachi)

A multi-instrumentalist known for his releases on International Feel Recordings and Crammed Discs, as well as his partnership with Eddie Ruscha—a key figure in the LA underground scene and a familiar face at venues like Secret Circuit. His cassette release from SFV Records is now available on vinyl! These are lo-fi instrumental tracks featuring rhy ...Read more (Original Japanese text by Saito)thm machines, synthesizers, and guitar. The sound has a tropical vibe, a touch of Balearic flair, and hints of influences from New Age and surf culture. (Original Japanese text by Saito)

BPM 123: A1 “Wreck I” (sample 1) begins with an ominous piano chord and is interspersed with numerous sci-fi-style synth phrases, evoking a new direction; BPM 140: A2 “Wreck II,” featuring hypnotic, high-speed electronic rhythms and sounds; BPM 128, B1 “Wreck III” (sample 2), a modern, beep-heavy jack track; BPM 129, B2 “Wreck IV” (sample 3), a ble ...Read more (Original Japanese text by COMPUMA)nd of bass electronica, left-field electro, and broken beats; featuring four tracks. (Original Japanese text by COMPUMA)

The synths and strings are sparkling & gorgeous, and the guitar riffs feature exquisite cutting—this is the original disco edit of the iconic Chic-style, soulful, funky disco and boogie track “Must Be The Music,” perfectly executed on Side A: “Must Be The Music (The Original Disco Edit)” (sample 1), and Side B, “Must Be The Music (Boogie Xtravaganz ...Read more (Original Japanese text by COMPUMA)a Edit)” (sample 2), features a tenacious, funky bassline and a more solid, low-end groove that undulates and pulsates—sure to get the dance floor pumping—with just the right balance of comfort, stability, and superb sound. (Original Japanese text by COMPUMA)

From the soundtrack to the 1973 lighthearted crime comedy *The Thief Who Came to Dinner* by master composer Henry Mancini, the A-side cover of the title track, “The Thief Who Came to Dinner” (sample 1) —a track born from the magic of studio improvisation, elevated to the level of a soundtrack for a yet-to-be-made vintage film—and the B-side feature ...Read more (Original Japanese text by COMPUMA)s a light, bouncy reggae number (sample 2) that evokes the atmosphere of Jamaican reggae from the good old days, dedicated to the late Earl Appleton, one of Jamaica’s greatest pianists “Earl” (sample 2) is featured on the B-side.
Once again, a masterpiece has been born—one that weaves together the past, present, and future of Jamaican music in a way that will never fade.
Centered around Larry McDonald—whose musical career spans 70 years—and two musicians who have also performed as touring members of the legendary band “The Skatalites,” this album brings together a group of talented artists who form the backbone of New York’s reggae scene. The lineup includes Priet Patel and Rich Terrana (The Frightnrs), Matt Burdi and Michael Sarason (The Far East), Brett Tubin (Channel Tubes), veteran session trombonist Clark Gayton, and Victor Axelrod (Ticklah), who contributed to the studio recordings, are among the lineup.
A superb 7-inch “doughnut” record on a cardboard sleeve from Names You Can Trust. Highly recommended. (Original Japanese text by COMPUMA)

From the buzzworthy label 〈NEPTUNE DISCS〉—home to artists like SHJVA and DJ LIFE, and also enjoying strong success through its sub-label 〈JUPITER'S DEPTH〉! Already generating buzz thanks to support and plays from leading artists, this progressive tech track features bouncy tribal percussion layered with a rumbling bassline Featuring “Infected” (sam ...Read more (Original Japanese text by Akie)ple 1), of course, as well as “Just Like” (sample 2)—which combines organic-sounding hand percussion with trance-inspired synth design—this is a floor-filling bomb that hits all the right spots with its percussion, thick groove, and hypnotic synth work! Featuring a remix by BLISS INC.! (Original Japanese text by Akie)

"SAISON," a UK house duo consisting of LEIGH DARLOW and MATTHEW BANDY, presents a compilation series showcasing the sounds that defined their house style! From the rework “Wolf Dust (Saison Rework)” by THE JAZZCODES & MICHELE CHIAVARINI (sample 1)—which distills the vibrant jazz elements of the original track, deeply embedded in the drums and lead ...Read more (Original Japanese text by Akie)lines, into a steady groove and ties it all together with a restrained kick pattern— to “Friday” (sample 2) by veteran New York-based house artist DJ ROMAIN (Nite Grooves/Nervous)—active since the ’90s—who samples killer gospel soul and crafts a tech-oriented track with tight drums. This is a high-quality house collection that skillfully incorporates the essence of jazz and soul! (Original Japanese text by Akie)