The first half features mellow soul tracks brimming with a sense of transparency and lightness: A1 “I Know Yo’ Game” (sample 1), the deliciously sweet gem A2 “You Made Me A Fool,” and A3—a lengthy progressive ballad lasting 9 minutes and 26 seconds, featuring magical synth work. “My Baby’s Gone” is also fantastic, but the electro-disco and soul-boo ...Read more (Original Japanese text by COMPUMA)gie hidden gems—B2 “Let Me See Where You’re Coming From” (sample 1) and B3 “Shake Your Thang”—are built on an imperfect yet exquisitely balanced foundation, creating a truly incredible world of their own. Their cosmic vibe brings a smile to my face.
And then there are the two ultra-rare, nearly impossible-to-find 7-inch singles—each featuring two tracks—released in Chicago by The Elusions, the band that member Harry Malone once belonged to: A4 “Very Special Girl” (sample 3) and B1 “Stolen Love.” These are simply great songs—absolutely fantastic. Seven tracks in total. (Original Japanese text by COMPUMA)

This is the new release from YSE SAINT LAUR'ANT—also known as ANT PLATE—who has released music under the name YSE on house labels such as *ORNATE MUSIC* and, under his own moniker, on edit-focused labels like *WHISKEY DISCO* and *EDITORIAL*. He is currently based in Hong Kong, where he continues to put out a steady stream of solid releases. Startin ...Read more (Original Japanese text by Akie)g with “Space Ride” (sample 1), which blends nostalgic, melancholic cosmic keys with a lively Latin disco vibe, followed by “Saint Tropez” (sample 2)—a soothing boogie jam featuring a supple funk bassline and bohemian percussion— to “Monaco” (sample 3)—a romantic track featuring lavish strings and sweet chord progressions—YSL’s work, which is both quirky and elegant, is once again top-notch! (Original Japanese text by Akie)

Featuring vocals in Italian, French, and English, this track offers an original, unique, and cute groove brimming with a sense of space, blending mid-tempo electro-funk & soul, cosmic Italo, and synth-pop disco. The playful use of sampling gadgets, overflowing with humor, is also heart-melting. The boogie-infused synth and soulful disco groove on t ...Read more (Original Japanese text by COMPUMA)he final track, B3 “Kim Jung Boogie” (sample 3), is absolutely irresistible. (Original Japanese text by COMPUMA)

A new release from 〈CQQL RECORDS〉 that recreates the old-school 70s and 80s machine sounds from LA! QUAID, a master of mellow machine funk whose cassette album from STEVEN JULIEN’s label 〈APRON〉 was so well-received that it was even released on vinyl, teams up with vocalist SHEPHERD MANYIKA to elevate the early ’80s boogie-funk sound into a fresh p ...Read more (Original Japanese text by Akie)roduction tailored to a modern context. A highlight is the remix by MOON B—who hadn’t released anything in a while—showcasing a masterful arrangement imbued with his signature, somewhat elusive and slinky funkiness! (Original Japanese text by Akie)

As the title suggests, the Side-B remix “He Loves You (DJ KOCO Boogie Mix)” (sample 2) by DJ KOCO aka SHIMOKITA—featuring B-boy breakbeats and a mind-blowing boogie vibe—is sure to put a smile on your face.
FLIS, a producer team formed by Shy—a veteran music producer based in South Korea who heads Love Island Studio and specializes in advertisi ...Read more (Original Japanese text by COMPUMA)ng and film music—and Nagato Takamiya of Flower Records, has officially launched following a friendship spanning over 20 years.

This debut release features FRANZE, a multi-talented singer based in South Korea who also works as a composer and arranger—and who showcased her vocals on Project 301’s “You Gotta Be”—covering the 1976 masterpiece “He Loves You” by the fusion band Seawind, a track that remains hugely popular in the free soul scene. fusion band Seawind, a massive hit from 1976. With a pleasantly dynamic, funky groove, sophisticated instrumentation, and FRANZE’s expressive vocals coming together, this track has been reimagined with a fresh arrangement to create a contemporary sound. The lineup features YABU (bass) from ONEGRAM, Yota Kobayashi (guitar) from Reggae Disco Rockers, and “PLAZA” Fujisaki (keys) from Little Big Bee.

Furthermore, Side B features the “DJ KOCO Boogie Mix” by DJ KOCO aka SHIMOKITA, who travels the world and enjoys immense popularity. Reconstructed from a perspective unique to DJ KOCO—who knows the 7-inch format inside and out—this mix lives up to its name as an absolutely mind-blowing boogie track! It’s the perfect addition to any DJ set. Combining the fresh interpretations of FLIS and FRANZE with the talents of skilled musicians and DJ KOCO—an all-star lineup—this single is an exhilarating masterpiece that effortlessly transcends genres and borders. It’s finally here! (Original Japanese text by COMPUMA)

Created while traveling back and forth between Leiden, the Netherlands, and Los Angeles, the album *Velvet Sea* blends California’s light and psychedelic elements with the traditions of UK disco, Brazilian disco-funk, French disco—resulting in an album that embodies Kraak & Smaak’s signature blend of seasoned freshness and comfort. This remix EP, f ...Read more (Original Japanese text by COMPUMA)urther tailored for the dance floor, features an exquisite balance of tracks that are instantly effective on the dance floor. Be sure to check out the samples and tracklist. It’s a cheerful, cute, groovy, and dazzlingly polished collection. (Original Japanese text by COMPUMA)

From 〈A STATE OF FLO〉 — still fresh in our memory for "Green City," the Afro ensemble piece paying respect to the legend FELA KUTI — comes an extended-version EP drawn from "Living Through Collapse," the album by Costa Rica-based singer-songwriter DOE PAORO! "Teach Us Of Endings (Auntie Flo Extended Version)" (sample1) is a Balearic boogie arrangem ...Read more (Original Japanese text by Akie)ent built on laid-back percussion rolls, with DOE PAORO's crystalline vocals and classical guitar emerging from the midsection, and its fattened funk bass is downright dangerous. The flip, "Maya (Auntie Flo Extended Version)" (sample2), is an exotic remix that hooks you instantly with a bass intro not found in the original while amplifying its Middle Eastern essence. (Original Japanese text by Akie)

A special gift from SCHEMA, the renowned Italian new jazz label. A 7-inch donut-shaped record. Alex Puddu Soultiger’s debut single: “The Mover feat. Joe Bataan” and “Soultiger.” (Original Japanese text by COMPUMA)

Side A, “Chasing Light,” runs at 118 BPM with tropical new wave disco & boogie, a cheap-sounding rhythm machine, fusion-style guitar, a soulful/funky bassline, and spacey synths—all with a subtle dub-inspired groove. (sample1); Side B’s “Under Pressure” (sample2)—at 125 BPM, with a slightly raised pitch—is a robotic, mutant, left-field disco-funk t ...Read more (Original Japanese text by COMPUMA)rack that’s also cool in a cheesy way. I love it. Limited vinyl-only release. (Original Japanese text by COMPUMA)

〈BASTARD BOOTS〉 The third release from 〈SWEET BREEZE SOUND〉—a label founded by the Washington, D.C.-based world music DJ team "SOL POWER ALL-STARS," whose Afro-re-edits from labels like 〈G.A.M.M.〉 have also been well-received—features nostalgic tracks heavy on sampling! Featuring samples from INDEEP’s classic “Last Night a DJ Saved My Life” and a r ...Read more (Original Japanese text by Akie)ich array of effects—including seductive echoes—this edit by KING MOST, “Money In The Bag” (sample 1), fuses ’80s electro with proto-house. The B-side features MARC MEISTRO’s “Like A Moth To A Flame” (sample 2), which samples JANET JACKSON’s “That’s The Way Love Goes” and pays homage to the synth-disco sound of electro’s heyday with floating samples! (Original Japanese text by Akie)

Born in the Republic of Suriname, South America, during the Dutch colonial era, he won a song festival in '75, which led him to move to the Netherlands, dive into the music world, and rack up a number of releases. His ultra-rare 7-inch single "Born To Boogie," issued in '81 on KILLROY, a subsidiary of the celebrated Dutch label TELSTER, now gets it ...Read mores first-ever 12-inch pressing, officially remastered, via S.P.Q.R. — one of the labels in the BEST ITALY group, home to Italo hits by CELLEPHANE, SUSAN MORGAN, TOUCHÉ and more.

On this album, a “Disco Not Disco”-style punkish disco and boogie-infused funk groove—featuring a spiritual, epic, and cosmic soundscape and strings—soars toward the heavens alongside powerful synths and saxophone solos, courtesy of Rotary Connection, Along with psychedelic, soulful vocals and harmonies reminiscent of Idris Muhammad and The 5th Dim ...Read more (Original Japanese text by COMPUMA)ension, the exquisite Side-A track “We Must Believe” (sample 1) carries a message of unity and transformation, Also great is the cover of Charles Earland’s 1976 jazz-funk classic “Let the Music Play”—a dancefloor disco-jazz-funk track brimming with a pleasant sense of momentum, featuring vocals by Hannah Williams (sample 2).
This is the third release from Supa Jams, a promising new underground label gaining attention in the UK. Like previous releases, this is a limited-edition, vinyl-only black 12-inch record with a hand-stamped sleeve. I highly recommend this one as well. It delivers superb sound quality at 45 RPM, with a solid, stable sound. (Original Japanese text by COMPUMA)

"Movin' To The Beat," a classic 1981 New York boogie/independent disco track featuring Corky Hodges on vocals. This record has never been officially reissued and was listed on DISCOGS at over 100 pounds. (Original Japanese text by Saito)

In the 1960s, Netinho was the drummer for the Clevers, one of the leading Brazilian beat bands, and later in the 1970s he was active in Casa das Máquinas, which pursued a heavier, more psychedelic sound. In the same year, Netinho was influenced by the spiritual group Amor e Caridade and headed in a new direction, releasing his first album, "Apartam ...Read more (Original Japanese text by AYAM)ento 97" ('80), on his own label, Manancial do Amor, in 1982. - He further developed his funky, pop-rock style with the help of talented musicians such as Zé Rodrix, Faísca, and Manito.
Netinho says he spent a year searching for inspiration for the sequel album. After a "mystical intervention," the songs for the album were completed in just two days.
The lyrics celebrate the beauty of a Sunday afternoon after a week of work, and the happy, slightly crazy mood and tight sound make this a one-of-a-kind song. The synths and break parts are subtly enhanced and good. The picture sleeve is a smaller version of the jacket of "Apartamento 97 - Projeto Amor & Caridade Vol. 2", which is also cute. (Original Japanese text by AYAM)

DJ HARVEYのTHIRTYNINEHOTELやGOOD ROOM/BARにてアンダーグラウンドなダンスサウンドを探求するDJでありキュレーターTIMO LEEのレーベル〈CHOMP! CHOMP!〉第三弾！歪んだギターセクションに引き込まれるディープダウンテンポジャーニー「Tartiflux」(sample1)から、精密なアシッドパターンを備えたブレイクス「Poomee」(sample3)まで、MARGEE自身の音楽ルーツであるダウンテンポに、90年代のディスコサウンドやレイヴアシッドまでブレンドした多色のミニLPが完成！ (Akie)

"She Keeps It Good" features an urban, '80s boogie-style chopper bassline and a heart-pounding shout that really stands out (sample1) is absolutely fantastic; “1981” (sample2)—a dance-floor-ready remix of “Get Up And Dance” by New York disco artist NORMAN GISCOMBE JR., which was even sampled by JACQUES RENAULT, the head of 〈LET’S PLAY HOUSE〉— and “ ...Read moreCabrio Mango” (sample 3)—a re-edit of the classic “Amigo Branco” by MARCIA MARIA, a talented female vocalist originally from Brazil who made her mark primarily in France—is also highly recommended!

FAVA LUVA & DR PROFESSOR, who are probably a duo but details are elusive, make a comeback with a mysterious edit that does not disappoint! The sensual down-tempo "Sent Ra" (sample 1) has erotically whispered languid vocals and a dub bass that creates a thick groove. The flip side is "Love Giver" (sample 2), a boogie funk track that clears up the hu ...Read more (Original Japanese text by Akie)midity a bit and features lightly chopped drums and a vocal performance that takes the edge off. Again, great. (Original Japanese text by Akie)