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『Familiar. Usually reserved for things we think we know. A face, a place, a feeling, a record perhaps. Until, of course, they aren’t quite the same anymore. Or maybe you aren’t. Jennifer’s debut album lives somewhere around there. It’s a record about time, which is already a fairly ambitious subject consid ...Read moreering nobody seems to have figured that one out yet. More specifically, it’s about what time does to a person. The old versions, the new versions, and all the ones in between that you only notice when something suddenly brings them back. Someone you haven’t seen in years. A room you used to know. A certain way the light falls. That sort of thing. There’s a bit of a doppelgänger situation going on, too. Finding something completely new and somehow recognising it. Meeting yourself again without immediately realising who you’re talking to. Which can be nice. Or strange. Usually both. The songs on Familiar sit comfortably with that contradiction. Looking backwards without wanting to go back. Missing things without necessarily wanting them returned. Realising that people who once occupied most of your waking hours can become people whose address you don’t know. Meanwhile, some tiny, seemingly irrelevant detail from fifteen years ago remains perfectly intact. Memory has its own filing system. Not a particularly sensible one. Jennifer wrote a series of poems alongside the album. In them, familiarity appears in melting snow, rough coastlines, a kitchen already warm in the morning, somebody’s hands fitting into yours. Elsewhere she wonders about someone she once knew everything about and now knows nothing about. They could live around the corner. They could live on another continent. They could, technically, be dead. Probably not. But that’s time for you. Maybe Familiar is less about remembering who you were than realising you never entirely stopped being them. Things get added. Things disappear. Things come back looking slightly different. And somehow, you recognise them.』

Lusine is one of the longest-standing producers in contemporary electronic and experimental music. While continuing to drift freely between techno, avant-pop, and ambient—all while balancing melodic structures with intricate textures—this album marks a return to his roots, centered around minimalism. If his previous album, *Long Light* (2023)—which ...Read more (Original Japanese text by AYAM) incorporated collaborations and featured vocals prominently—was a work of sharp contrasts, then this new release, centered on the themes of “loss” and “transition,” evokes a misty atmosphere. With a total of 10 tracks, immerse yourself in the exhilarating sensation of sinking deeper and deeper. (Original Japanese text by AYAM)

Since emerging on 〈Ghostly〉 in the mid-2000s, Lusine has kept winning over fans from the dancefloor to the bedroom, becoming a key figure in the electronica scene. This is the first repress in roughly ten years.
Listening again with today's ears turns up plenty of fresh discoveries: the mysterious sci-fi downtempo of "Operation Costs" (sample_1) ...Read more (Original Japanese text by AYAM) and "Tin Hat" (sample_2), led by robotic vocals; "Twilight" (sample_3), with its beautifully stacked layers of electronics and voices; and the album's most dancefloor-minded cuts, "Every Disguise" and "Crowded Room." (Original Japanese text by AYAM)

A collage piece by Sli Town Crier, the mysterious musician from the 〈Wah Wah Wino〉 community, who entrusted his recordings to his mentor, Morgan Buckley, who skillfully deconstructed and reconstructed them. A collection of brain-dancing tracks that nimbly traverses genres—from breakbeat and drum ’n’ bass to trip-hop and ambient folk—as the mood shi ...Read more (Original Japanese text by Adachi)fts. A journey down Ireland’s left-field backroads, driven by raw chops and beats. Tracklist information is unknown except for the excerpted samples. Since there are actually over 10 tracks per side, we recommend checking the physical copy. Currently vinyl-only! (Original Japanese text by Adachi)

A team-up between in-demand German artist LUDWIG A.F., who has long conspired with the Canadian scene, and Montreal talent PRIORI — we thought it was a one-off, but here's a welcome comeback! "IV." (sample1) pairs a garage-swinging beat with a straight-from-the-heart melodic landscape, playing like an homage to the nostalgia of electronica evolving ...Read more (Original Japanese text by Akie) into club sound. "I." (sample2) sets finely crafted, mysterious synthesizer work over a restrained dubstep beat — throughout, the record conjures a mood reminiscent of early Warp and Rephlex releases. (Original Japanese text by Akie)

From 〈SHORT SPAN〉—which has been making a name for itself as a key player in the scene with a string of successful releases by artists like YU SU and CENTRAL—comes a new album by Japanese artist BOT1500! “On a dark, damp summer night, a small boat drifts aimlessly. This sea, where unease and beauty coexist, felt both like myself and like some dista ...Read more (Original Japanese text by Akie)nt place. (From the press release)”
Following his previous release on 〈LITH DOLINA〉, this album takes the introspective and emotional sound he has been pursuing through self-releases to its ultimate expression. With a solid structure, it presents a minimalism that is conscious of “ma” (space). The emotions stand out precisely because of the limited number of sounds, and the subtle echoes create nuanced tonal shades. A masterpiece of minimal electronics that pushes the boundaries of ambient and IDM. (Original Japanese text by Akie)

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『The four tracks of his 2013-released „Feldspar“ EP see Romanian producer YVAT at the absolute peak of his sonic journey. Roughly operating within the confines of IDM, Braindance, Phonk and Post-Dubstep YVAT serves a highly seductive sonic menu for advanced late night dancefloors with this one, amalgamating his signat ...Read moreure backbone of highly detailed and well crunchy beats, shimmering harmonies and warmly caressing, comforting, all embracing low end goodness for those in the know. Criminally underrated and for the first time available to a global audience. Press quote: „You used to dig Autechre but you think their best days are long gone as they've lost their bouncy beats vs. deep strings and nice little melodies path? Went off into deconstruction? I'm totally with you here and that's why I love Yvats's recent "Feldspar EP" on the great Minor Label so much. The man named Octavian Justinian Uta - and which is better known to his parents under this name - brings back this special and long time missed twist again, serving the best Electronica 12" I've come across in ages. Limited to 200 copies in greymarbled vinyl and hardly available via regular distribution channels. Get your copy, now! “ [baze.djunkiii / nitestylez.de / 04/2013] Never officially distributed before and available limited quantities only. Limited edition of 200 copies. Grey-marbled vinyl pressin』

This is the fifth release from the label 〈TON TON〉, launched by BAR TON, a music venue in Bucharest located in a mixed-use apartment complex built in the late 1950s that embodies Romania’s unique brand of Socialist Modernism.

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『The A side opens with two ambient pieces: "Inception," gritty and haunting, built from ...Read morefield recordings and layered chords, and the dreamier "Regulator Dial." "Air Lock" and "DFtB" turn breaky and lowtempo, evoking early electronica. The flip moves through "Waterproof's" downtempo electro and "Make Right," the LP's most club-ready cut. Title track "Bean Soup" channels early Four Tet: bleepy, minimal, emotional, while "Sunlight" closes with blissful, calming sounds, rounding out a beautifully balanced record. Tudor Gheorghe, aka Romansoff, is a Bucharest DJ, producer and vinyl collector with over 13 years on the capital's underground scene. Inspired by small local parties in the 2000s, he started collecting vinyl, then DJing, quickly becoming a key figure in the Bucharest club scene. Since founding his imprint Raw Tools in 2013, he's released on Lobster Theremin's Mork, Creme Organization, Les Yeux Orange and Solar Phenomena. In 2018 he co-founded venue Platforma Wolff, a full club by 2021, as booker and resident, hosting headliners like Prosumer, Paramida and Tornado Wallace. Versatile and creative, he stays a fixture at Bucharest's best nights. His debut LP lands this year on Bar Ton's vinyl label.』

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『Synaptic Cliffs proudly welcomes Annie Hall for her label debut. With the Future Sports EP, she once again expands the boundaries between machine funk, speculative sound design, and forward-thinking club music. Delivering her signature fusion of IDM, electro, fractured breakbeats and experimental electronics, she sculpts a metal ...Read morelic, highdefinition vision that feels as though it has been transmitted directly from centuries ahead. Future Sports imagines the sonic landscape of sport in the year 3024. In a future where society has paradoxically stripped itself back to the essentials, aesthetics have returned to the elegance and restraint of the 18th and 19th centuries. Amid this cultural shift, fencing has emerged as the defining global sport, elevated from historical discipline to mass obsession. Throughout the EP, the sounds of these future arenas become musical raw material: the sharp clash of advanced foils, the resonant impact of engineered protective gear, the tension of ritualized competition, and fragments of other, unnamed sports from a distant age. Annie Hall transforms these imagined athletic acoustics into intricate rhythmic structures and futuristic melodies, allowing the machinery and choreography of competition to shape the record's sonic identity. The result is a vivid soundtrack to a world yet to come - precise, kinetic, and unmistakably futuristic, where sport, technology and sound merge into a singular vision. Future Sports is both a speculative narrative and a club-ready statement from one of electronic music's most distinctive voices. As a special bonus, the EP features an animated picture label. When played at 45 RPM and viewed under a stroboscopic light operating at 9 Hz, the artwork comes alive, revealing a hidden motion sequence. Blurring the boundaries between sound, design and optical illusion, this kinetic visual layer extends the EP's futuristic narrative into the physical realm, transforming the record itself into an artifact from the year 3024. 5. VITAL SALES POINTS: " transparent turquoise vinyl " exclusive animated design by The Infamous Image Division " mastered by the infamous Mike Grinser』

First released digitally on New Year's Eve 2022 through 〈wnoadiarwb〉, his own DIY platform with its singular worldview, 'Songs Before Bed' was the first record issued under his own name after stints as Memo Boy, OTTO, Pudding Club and more. It now arrives on LP, remastered by Stephan Mathieu and pressed on eco-conscious EcoRecord. The Otto Benson u ...Read more (Original Japanese text by Adachi)niverse, where bedroom folk, ambient, dream pop and IDM blend together like a dream. A pure and lovely record where healing and experimentation coexist, at times recalling the catalogue of Aphex Twin's 〈Rephlex〉. A fascinating individual talent picked up by 〈Palto Flats〉, whose roster also includes current work from the likes of Georgia and Foodman. (Original Japanese text by Adachi)

Eleven tracks in all, including "Slow Motion" (sample_1) with its beautiful, kaleidoscopically unfolding synth chord work, plus "The Level" (sample_2) and "Won't Forget" (sample_3), with their crisply snapping snares, chopped woodwinds and keys, and dizzying shuffle rhythms — a masterpiece that will captivate everyone from electronica listeners to ...Read more (Original Japanese text by AYAM)cut-up, glitch and minimal fans. A commemorative edition marking its 10th anniversary, pressed on 2LP black-and-white splatter vinyl. (Original Japanese text by AYAM)

A near-future world of digital pastoralism, framed by the fictional conceit of being guided by the all-knowing dial-up modem "Sworx," analyzing and classifying encrypted waveform data and converting it into music. The duo, who also left an album on Wah Wah Wino as Little Movies, team up once again. Twelve tracks of mutant electro to IDM, shot throu ...Read more (Original Japanese text by Adachi)gh with traces of Aphex Twin, Oval, and Arthur Russell. Somehow pastoral and humorous, this is the sound of an unpredictable "post-fiber-optic technology [idm wav. tablé]." Uncanny. (Original Japanese text by Adachi)

A vinyl-only 12-inch released in 2025. We have it in stock. Four obscure, rave-inspired breakbeat tracks. The final track reportedly samples a cover by Pascal Comrad—who, like the artist, hails from Catalonia—of a song by Ovidi Montllor, known as an icon of freedom and resistance who sang protest songs based on Catalan folk music. (Saito)

“A ...Read morefter a long hiatus from the 12-inch club format, Pedro Vian returns with a four-track EP tailored for the dance floor. One of the standout tracks is a club version of ‘I am OK,’ featured on his latest album, The Addiction (2025).
This release also includes the bonus track “Teresa (Comelade’s Piano Redubbed).” This is a reinterpretation that samples Pascal Comelade’s cover of a song by Ovidi Monjoir, a legendary folk singer known for his poetic and political works in post-Franco Catalonia. Vian has reconstructed this source material into a meditative ambient piece.”

The album consists of 10 tracks, including longer songs like “California Sunshine Acid”—which features an obscure narration by a woman credited as Jade Byrne—as well as shorter tracks. A psychedelic electronic sound that creates a groove entirely from electronic tones without any beats, often compared to BORADS OF CANADA. (Original Japanese text by Saito)

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『An introspective journey led to the recovery of five tracks that form Unearthed Forms: The new 12” EP by Gent1e $oul & Finally Julius on Fast Castle. Focused on rhythm, texture, and low-end pressure, the record is built around contrasts between organic movement, sharp percussive design, and fluid, broken rhythmic secti ...Read moreons.

The A-side opens with Pantanal, a slow-building, humid groove driven by deep sub pressure and layered percussion. Obsidian Arrows introduces a tighter, more direct energy, a modern fast-paced dub stepper with future-facing sound design. Spore Inscription shifts into more evolving patterns, where rhythmic elements gradually reorganise and reconfigure over time.

On the B-side, Where liquid forgets to flow breaks away from steady structure, moving through shifting rhythm work, precise timing and evocative synth layers. The closing track Bloom Archive brings things back into a warmer, more open space, with smoother textures and a slower, more continuous flow that feels reflective rather than resolved.

Across five tracks, the EP moves between dub-weighted bass systems, broken beat influence, and techno-focused arrangement — keeping a strong focus on physical low-end and detailed percussion throughout.
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Berlin's André Seidensticker, whose 2003 album was reissued on 12-inch via 〈Workshop〉. Now his 2001 EP "Schwarz vom Harz" gets a reissue on LOWTEC's 〈Out To Lunch〉, the original home of the release! (Original Japanese text by Saito)

With its delicately cut, crisp hi-hats and a rounded, sharp bassline layered with dub echo, the IDM/Left Field/Techno A1 track “Emcz” (Sample 1) delivers a powerful and multifaceted techno experience. A2 features “Tlsq,” a floating techno track that seamlessly blends ambient elements with contemporary rave and broken techno. “Tlsq” (Sample 2), a fl ...Read more (Original Japanese text by hamon)oating techno track that blends ambient elements with contemporary rave and broken techno in perfect balance; and B1 “ufo2” (Sample 3), a lo-fi acoustic industrial techno track with a unique rhythm, which most vividly embodies Shed’s experimental spirit and madness on this release, opening the door to further exploration and rhythmic possibilities. (Original Japanese text by hamon)

It’s also a side project by Ondness, who has released tracks on labels such as 〈Where To Now?〉. A mutant strain of dance music that masterfully balances a glassy, intelligent texture with a raw, exposed physicality. An illusory rhythmic approach that feels as though it could flip at any moment, undermining your footing. The “screw” sensibility is a ...Read more (Original Japanese text by Adachi)lso intriguing. While evoking a percussive sensibility reminiscent of collaborations with Valentina Magaletti and others, the personal rhythmic language that emerges even from distorted Latin grooves is stimulating. A dance work that precariously bridges functionality and experimentation—one that throws in foreign elements rather than giving the audience what it wants. An adventurous release from the Lisbon underground scene, connected to the circle around Príncipe. (Original Japanese text by Adachi)

“Fields of Mist,” a project by Jahandar Hamidieh—a multimedia artist, musician, ceramicist, and nature-loving photographer—has released a new album via Ilian Tape. The release opens with the abstract, ethereal, beatless track “The Surface Of Moss Prime” and consists of five tracks, including the spatial, polyphonic, ambient, sub-bass-driven dub hou ...Read more (Original Japanese text by Saito)se track “Masters Of The Known Universe!” and the 2-step-style “Alien Lifeforms.” Raw and smoky tones. Great. (Original Japanese text by Saito)