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『Since emerging from Italy's underground over a decade ago, Ninos Du Brasil (Nicolò Fortuni and contemporary artist Nico Vascellari) have developed a potent sound that blends live batucada percussion, electronics, punk energy, and visceral vocals sung in an imagined language. Along the way, they've built a reputa ...Read moretion for incredibly intense and unpredictable live performances.
This fifth full-length follows Antro Pop, released on Codalunga / Hospital Productions in 2021 in the middle of covid lockdowns with a canceled world tour leaving the world in wait. Out of that imposed hiatus Ordem Micelial began to take shape.
The trademark Ninos elements remain intact: frenetic drumming, ritualistic chants, and relentless percussive intensity, while exploring new sonic territory. Most notably on "Innaya Som," the duo embrace a full-blown guitar-driven rock assault, revealing the hardcore roots that have always underwritten their music.
Recorded and produced by longtime collaborator Rocco Rampino, the album achieves a veritable wall of sound—dense and overwhelming, yet retaining remarkable clarity and separation throughout.
Part carnival rave, part punk freak-out, Ordem Micelial finds Ninos Du Brasil expanding their mythology without losing any of the wild energy that has made them one of contemporary underground music's most distinctive acts.』

JOSH LUDLOW—who’s been on a roll with releases under the labels 〈PUBLIC POSSESSION〉 and 〈TOY TONICS〉, as well as his solo work—brings us this highly anticipated new release! It starts off strong with the opener “Brain Music” (sample 1), featuring Detroit-inspired, wormhole-like interlocking vocal and bass loops. The following tribal dub track “Time ...Read more (Original Japanese text by Akie) Upside Down” (sample 2) also features a heavy, low-end dub bassline and has outstanding floor-filling power. (Original Japanese text by Akie)

BLACK BONES are back from a night of digging, bringing us another stellar 4-track EP of remakes and edits from their extensive private collection!!

Tracks like the acid techno track “Lifeforms” (sample 1), which features bouncy percussion with organic movement paired with a supple bassline—creating an elastic groove that feels almost like a living organism—and “Contact,” which blends psychedelia from the Gore lineage with powerful techno vibes. A dance trip where psychedelic synthesizers reson ...Read more (Original Japanese text by Akie)ate with the percussion. *Please note that the jacket has noticeable wear and tear from the time of arrival. The record itself is in perfect condition. Thank you for your understanding. (Original Japanese text by Akie)

A new release from 〈ADEEN〉 featuring numerous veteran house artists! This unique album is the work of a golden trio consisting of Chicago legend CHEZ DAMIER, talented Italian house artist NICO LAHS, and producer CAMILLE. It pays tribute to WJZZ, the specialty radio station that supported Detroit’s local jazz culture. Tracks include “Pili Pili,” a d ...Read more (Original Japanese text by Akie)ynamic drum-roll collage of diverse samples; “Third World Wave,” a tribal house track woven from a heavy kick and exquisitely loose percussion; and “Haiku,” a deep house track with a mellow, melancholic horn section. This 2x12-inch release makes full use of lively, powerful drumming and a horn section, infusing every track with a rich jazz essence. (Original Japanese text by Akie)

The debut album from DETRAEX CORP, the solo project of GIOVANNI CIVITENGA—one half of the electronic techno duo RAIN TEXT and also known as an NTS resident! An experiment in deconstructed tribal rhythms and dub-inspired bass control. Tracks include “Myth Prism Strip” (sample 1), which explodes in free-form hand drums and disorients with a collage o ...Read more (Original Japanese text by Akie)f acoustic overtones, all delivered with immersive sound; “Expect Except,” which revolutionizes half-time rhythms; and “Bullet Holes,” featuring a seductively captivating saxophone hook. A collection of experimental tribal dub tracks that shake you with powerful percussion and a pulsating, heavy presence. (Original Japanese text by Akie)

This is the final installment in a musical series that has depicted the world of FANGO’s son, Carlo, through FANGO’s eyes, centered on the theme of “E Dee”—the first words his son uttered seven years ago in an attempt to communicate.
BPM 127, a sticky, funky, dynamic 4/4 minimal tech groove with a fat, heavy kick—A1 “Illu” (sample 1) features F ...Read more (Original Japanese text by COMPUMA)ANGO’s signature noisy dissonance, creating an exquisitely psychedelic trip,
BPM 128—with a masterful “woodpecker tribal” development toward the end? As expected from FANGO, a one-of-a-kind, mysterious tribal invitation deep into the jungle on B1 “Cazia” (sample 2); BPM 134, a left-field, otherworldly, wired, and boundlessly free-roaming FANGO world in full swing on the trippy B2 “Wager” (sample 3). Great.
Once again, the artwork on the inner sleeve was created by his son. The record label side features his son’s hair swirl. (Original Japanese text by COMPUMA)

Drawing inspiration from traditional Polish music—which is also part of her own roots—as well as Slavic mythology, archaeology, and the sounds, rhythms, and resonances of antiquity, she meticulously weaves together the world that unfolds from these themes, blending electronics, jazz, soul, hip-hop, beatdown, and tribal percussion—a meticulously cra ...Read more (Original Japanese text by COMPUMA)fted gem of urban crossover imaginary dance music that feels romantic, dreamy, and nostalgic, evoking a sense of European avant-pop folklore with its melancholic, mysterious, and fairy-tale-like qualities.
Currently available as a vinyl-only release!!!
180g black vinyl LP. Includes obi strip. 12 tracks total. Both the packaging and the vinyl pressing are meticulously crafted with great care and attention to detail. Highly recommended!!! (Original Japanese text by COMPUMA)

The latest release from Manchester’s talented artist CONTOURS—who has explored the boundaries between ambient, jazz, and minimal percussion from a wide range of perspectives, spanning club sounds to listening-oriented music—is fantastic! This broken-rhythm work was created by reconstructing live-recorded percussion samples, avoiding the confines of ...Read more (Original Japanese text by Akie) a straightforward four-on-the-floor beat. Kicking off with “Finding Space” (sample 1)—a tribal broken-beat track where the acoustic texture of hand drums blends with ethereal synth pads—the album features four rhythm-driven tracks that freely navigate ever-shifting synth textures and hypnotic, rhythmic beats! (Original Japanese text by Akie)

Mysterious’s 〈SORRY WE PLAY VINYL〉 has already released a new track—it’s here! “Edit17” (sample 1) is a heavy and exotic minimal track driven by two main elements: crisp, rhythmic drums and Italian vocals reminiscent of traditional folk songs. “Edit16” (sample 2) features a bassline that repeats with a heavy, deliberate stride, paired with a trippy ...Read more (Original Japanese text by Akie) cowbell pattern and a floating, dreamy hum that takes you on a journey. And finally, “Edit18” (sample 3)—a hypnotic psychedelic groover where a rousing shuffle beat layers with heavily processed choruses—is one of the most vivid and richly colored releases in the ongoing catalog. Highly recommended. (Original Japanese text by Akie)

Featuring PICTURE—a side project by Aarhus CENTRAL—and ISMISTIK, the techno alias of Nordic new disco icon BJØRN TORSKE, this new release from 〈ELEKTORNI〉 is not to be missed! SUB BASICS and WITCH TRIALS—who are revolutionizing New Roots-style bass music from their home base at 〈TEMPLE OF SOUND〉—are launching their second EP as SBWT. From “Marauder ...Read more (Original Japanese text by Akie)s” (sample 1)—an exotic, jungle-inspired tribal dub techno track featuring a collage of tropical bird calls—to “Source” (sample 2), a minimal tool track that, conversely, presents a solid soundscape focused on the percussion itself. They explore dub techno with rich variety, skillfully manipulating textures and effects. (Original Japanese text by Akie)

Catalog No. 8 from 〈FOUR FRAMED MUSIC〉, a subsidiary of the renowned Dutch label 〈DEEPTRAX RECORDS〉! “Solo Imperiale,” a high-quality deep house track that seamlessly blends warm rose piano, organic percussion, and a undulating bassline, features an exquisite remix by Detroit legend RICK WADE, who infuses his own smoky, pitch-black house groove int ...Read more (Original Japanese text by Akie)o the track. The B-side features “Echoes Of The Tribe” (sample 1), a tribal house track finished with a more organic and spiritual vibe, remixed by veteran Trinidadian producer DEEP, who has long been a close collaborator of RON TRENT! (Original Japanese text by Akie)

KHÔRA, a project by avant-garde musician MATTHEW RAMOLO—who has been making waves in Toronto’s underground scene—is releasing a new album in collaboration with his longtime ally MAS AYA! The album distills the mystery and intensity of the inner world into eight mandala-like instrumental tracks. The album fuses scales that transcend ethnic boundarie ...Read more (Original Japanese text by Akie)s, diverse rhythms, and advanced electronic processing techniques. Highlights include “Sutra,” an electro-acoustic piece where pastoral and ethnic melodies intertwine with cutting-edge electronic music, and “Cosmic Fire,” a polyrhythmic workout that captivates the listener. The album freely traverses free jazz, dub, raga, and ambient genres through intricate sound design. Beyond its precise rhythmic structures and cross-genre techniques, this mandala-like soundscape also offers a sense of auditory immediacy—as if hand percussion were being played right before your ears. (Original Japanese text by Akie)

Highly anticipated new releases from *VINEZZA*—both Catalog No. 2 and No. 3 remain in constant demand for reissues! These psychedelic left-field steppers feature heavy dub bass that cuts through a soundscape haunted by Middle Eastern chants, layered with tribal percussion that reverberates with echoes. From “Light Azure” (sample 1) to “A Voice With ...Read more (Original Japanese text by Akie)out Color” (sample 2)—an immersive tribal dance track that dives deep with uniquely distorted tones and multilayered drum percussion. With production techniques unique to fleet.dreams, they traverse tribal “trance” and dub with boundless freedom. (Original Japanese text by Akie)

Great!!! Three tracks brimming with excitement and timeless allure! “Stargate” (sample 1), where various percussion instruments pulsate like living creatures, driving tribal techno breakbeats; B1 “Teleported” (sample 2), a masterpiece of snake-charming, mystical tribal techno breaks; the percussive, tribal, polyrhythmic, and mystical B2 “Atlas4088” ...Read more (Original Japanese text by COMPUMA) (sample 3)—this release perfectly captures three tracks, each guaranteed to get the dance floor moving instantly. *Please note that the jacket has a slight tear along the spine from the time of arrival. We appreciate your understanding. (Original Japanese text by COMPUMA)

From 〈A STATE OF FLO〉 — still fresh in our memory for "Green City," the Afro ensemble piece paying respect to the legend FELA KUTI — comes an extended-version EP drawn from "Living Through Collapse," the album by Costa Rica-based singer-songwriter DOE PAORO! "Teach Us Of Endings (Auntie Flo Extended Version)" (sample1) is a Balearic boogie arrangem ...Read more (Original Japanese text by Akie)ent built on laid-back percussion rolls, with DOE PAORO's crystalline vocals and classical guitar emerging from the midsection, and its fattened funk bass is downright dangerous. The flip, "Maya (Auntie Flo Extended Version)" (sample2), is an exotic remix that hooks you instantly with a bass intro not found in the original while amplifying its Middle Eastern essence. (Original Japanese text by Akie)

The second release in the London-based 〈RUKI〉 catalog! A new single from DJ HIMITSU, a vintage enthusiast who—in addition to producing music—runs “Caravan,” a shop in London specializing in Japanese books, ceramics, and records. The tracklist kicks off with “Mint” (sample 1), a tribal-percussive dub house track mystically infused with field recordi ...Read more (Original Japanese text by Akie)ngs, and continues with “Sometime” (sample 2), a tricky, organic breakbeat track that makes masterful use of syncopation. An organic dance landscape that bridges the natural world and the dance floor! (Original Japanese text by Akie)

In addition to the artists mentioned above, MENTA SAUCE—who has garnered a wide following from artists like CHLOÉ CAILLET, SALLY C, and SEDEF ADASI, and has already released digital tracks on labels such as NERVOUS RECORDS and ON LOOP, drawing significant attention—presents their first physical release! Opening with dry Latin percussion rolls, this ...Read more (Original Japanese text by Akie) groovy track features a driving bassline and psychedelic samples scattered throughout Led by “He Said” (sample 1)—a groovy track featuring a dry Latin percussion roll, a driving bassline, and psychedelic samples—this four-track release pursues pure groove designed to make a powerful impact on the dance floor, with rousing percussion, sample work that shimmers with echo, and rich basslines! (Original Japanese text by Akie)

A blend of indie pop artist RÉN WITH THE MANE’s crisp vocals, tribal hand drums, and acid synths "We Go" (sample 1), as well as "Jungle" (sample 2)—this is a masterpiece that delivers a house sound through a unique, original approach that skillfully combines distinctive instruments! (Original Japanese text by Akie)

A new installment in the curation series from 〈THE THIRD ROOM〉, a key label that has previously lined up such distinguished veterans as OSCAR MULERO, EFDEMIN, BEN SIMS and KiNK! This time it's handled by GiGi FM, who debuted on BAMBOUNOU's 〈BAMBE〉 and now releases work out of her own 〈SEA~RÈNE〉 while leading from the front as a DJ. "Anukari" (sampl ...Read more (Original Japanese text by Akie)e1), her collaboration with EFDEMIN, the maverick at the forefront of Berlin techno/ambient house, controls intricate percussion and texture into a mysterious technoscape where fragments of delicate melody drift. Also included is D-LERIA's "Shark Attak" (sample2), minimal tribal techno driven hard by earthy percussion rolls. The selections are made with groove, space and carefully designed detail as the criteria. (Original Japanese text by Akie)