The album *Nihon Onsen Kikō*, released by *Oke MUSIC FACTORY* and expressing the “hot-and-cold bath groove” cultivated through 365 days of visiting public bathhouses, as well as the split 7-inch with BITOWA’s *Wind Noise Records*, sold out immediately to rave reviews. and now we’ve received a summer update from NICKELMAN, whose new work we’ve all b ...Read moreeen eagerly awaiting. NICKELMAN’s signature psychedelic undulations, lo-fi texture, tropical vibe, and mellow, tropical soundscapes—all blended with his signature use of samples—are on full display. Give it a listen in an ice-cold room, inside a car with hot air blowing in, or during those exhausted after-hours moments. Includes a download code!
(AYAM)

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The latest release from Osaka-based producer NICKELMAN, *Mangoes II*. Released on vinyl and cassette by the long-established Canadian label URBNET as the sequel to his 2021 release *Mangoes*.

Centered around a soulful, sweet groove, the sound expands into tropical and exotica territories. Layers of melting loops intertwine with hip-hop beats, creating a pleasantly swaying, mellow texture overlaid with psychedelic undulations that gently envelop the entire track.

Opening with a dubby intro and centered around a fresh, juicy beat, the album unfolds smoothly—like a movie soundtrack—ranging from dance tracks to melancholic, mellow soul.

The collages created under his own art name, “55555,” resonate with the sound, painting a deeper, more refined, and uniquely personal sensory world.

A sweet, atmospheric release that builds upon his previous work. A fruity instrumental album perfect for savoring in the leisurely flow of time, far from the sweltering heat.

His first release on Antinote since his debut LP "You!" A candid, confessional sound journey from Ori Kenneth, aka Alek Lee. Heartbreak and questions about life — did something happen? Kicking off with the pleasantly dubby groove of "Alright" featuring My Lord, "Compensation" and the title track pick up the textures of '90s trip-hop and grunge, whi ...Read more (Original Japanese text by Adachi)le "Change," "Let the Sun Just Shine" and "Hold On" glide smoothly into lustrous, mellow soul reminiscent of Sade. Woven from melodica, live percussion, guitar, backing vocals and '80s-style synths, the strictly No Computer analog sound criss-crosses reggae, Balearic and downtempo while remaining forever gentle, nostalgic and emotional. (Original Japanese text by Adachi)

An album produced by Detroit ghetto-tech producer Sheefy McFly in collaboration with female artists from the Detroit underground whom he admires. Featuring vocals from local legends and rising stars—including singers, performers, DJs, and designers such as DJ Mo'Betta, Bevlove, Lola Damone, Tiptonaires, and Etherpussy—this album showcases a diverse ...Read more (Original Japanese text by Adachi) range of local talent. From a remix of the local classic “You’re Mine” to “Where the $ At?,” recorded on a smartphone while still riding the momentum of a post-party high, this album delivers a raw sound that traverses ghetto-tech, house, Detroit rap, R&B, electro, and footwork—capturing the city’s culture and its ever-evolving energy. (Original Japanese text by Adachi)

Slim Levy, who until now has mostly issued private dubplate releases, arrives with a debut album. It's a sublime piece of one-man lo-fi dub-pop psychedelia that absorbs and cross-breeds, in equal measure, the freewheeling mixing work of Lee Perry's Dub Revolution and the magical songwriting sense of the Beach Boys' classic Pet Sounds. ...Read more (Original Japanese text by Adachi) Using toy keyboards, vintage synthesizers and a 4-track cassette recorder, the 14 tracks here are packed with simple yet endearing sonic tricks and highly addictive riddims. A triumphant DIY dub record in the lineage of Sheriff Lindo, Tapes, 7FO and Mermaid — essential listening for fans of the EM aesthetic. (Original Japanese text by Adachi)

A fusion of Celtic melodies, feedback, and dub, as showcased on the album *Country Music*, which also featured Pavel Milyakov. This is an intriguing and deep album of contemporary dub that deepens both facets of steppers, infused with the experimental spirit of their previous release, *Lord Have Mercy / Brass VIP*. A1 “Brandy” is a fantastical, dar ...Read more (Original Japanese text by Adachi)k dub-stepper featuring an eerie, looping flute and heavy bass. A2 “Brandy” features a ritualistic atmosphere, with a gritty, heavy minimal groove that builds to a crescendo, while the B-side includes the approximately 9.5-minute live recording “Cautious (Dub),” notable for its digital rhythm and medieval-sounding synth choruses. A must-have for fans of G Version III. Artwork by Zodiak. He’s reportedly scheduled to visit Japan in late 2026—he’s definitely one to watch. (Original Japanese text by Adachi)

One of the many aliases of Tarquin Manek, a key figure in the Australian underground scene who has collaborated with artists such as Samuel Karmel of CS + Kreme on projects like F Ingers, and released works on renowned labels including *Blackest Ever Black*, *Berceuse Heroique*, and *A Colourful Storm*. Although released in 2023, the album features ...Read more (Original Japanese text by Adachi) tracks produced between 2013 and 2020. This is a dub-pop work that offers an intoxicating sensation—as if water were trickling through your ears—and is a sure bet for anyone drawn to lo-fi, home-recorded soundscapes. Centered around a dub-infused soundscape, it layers drowsy rhythms and sounds reminiscent of being swept by a sea breeze, unfolding an otherworldly sound that could be described as “seasick cyberpunk” or “mutant dancehall.” Please take a look at the tracklist as well. (Original Japanese text by Adachi)

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『A long-awaited official reissue of these Tom Moulton-mixed Curtis Mayfield productions. Both tracks capture the very essence of early ‘70s soul sophistication — deep grooves, lush arrangements, and powerful vocals. Celestial Echo brings them back to life, beautifully remastered from the original tapes of Tom Moulton. ...Read more For Record Store Day 2026, this release highlights the golden era of soul production and Moulton’s role in defining the extended 12” format — absolutely essential for collectors and DJs alike. Remastered from the tapes.』

This album is the only album under his own name, with keyboardist and drummer Ricardo Eddy Martinez handling the direction, composition, and orchestration. His talent is evident in his orchestration work on the album *Los Reyes 73*, which was recently reissued as part of *Mr. Bongo*’s Cuban Classics series. He later went on to work with world-renow ...Read more (Original Japanese text by AYAM)ned musicians and singers such as Gloria Estefan, José Feliciano, and Chick Corea, and reportedly also worked as a sound engineer in the United States.
The Afro-funk groove “Tambo Iya” (sample_1); the Latin funk track “La 132” (sample_2), featuring cute, full-throated vocals and a meticulously arranged performance; “Este Tumbao” (sample_3), which starts with sexy, cosmic Latin funk before tightening things up with a powerful jazz section featuring organ and saxophone solos, and “Que La Tristeza Se Fue”—which became famous after being sampled and looped right from the start in Jazzanova’s track “Look What You Are Doing To Me feat. Phonte”—among a total of 10 tracks. Fusing funk, disco, orchestral arrangements, Afro-Cuban percussion, Latin breaks, and rich vocal harmonies, this is a masterpiece from 1970s Cuba that was particularly heavily influenced by American and Western music. The packaging, which faithfully reproduces the design of the original Cuban vinyl sleeve, is also wonderful. (Original Japanese text by AYAM)

A conceptual collaboration album by Y.O.P.E.—an experimental beat music project known for releases on Amsterdam’s *WICKED WAX* and other labels—and AVVNT MM! Dedicated to our ever-loyal four-legged friends, it’s titled *Music for Dogs*. Making rhythmic use of panting samples, featuring tracks like the experimental funk number “Authority has left th ...Read more (Original Japanese text by Akie)e building,” where chords mysteriously sink into the mix, and “My buddy Skip,” which blends percussion and nostalgic chords with hints of a Fourth World aesthetic. While avant-garde in its approach, this album offers a thoroughly enjoyable listening experience that stays true to its affectionate theme. (Original Japanese text by Akie)

Known for exploring infectious acid breakbeats on releases like *CRAIGIE KNOWES*—and with a strong reputation for dancefloor-oriented music—they continue to deepen their organic, relaxing breakbeats, following up on their previous album *TARTELET*, which took a more unconventional approach! A downtempo soundscape crafted from field recordings colle ...Read more (Original Japanese text by Akie)cted during their habit of visiting botanical gardens while touring from Tunisia to India, Japan, and Australia. From “Chrone,” where the driving force of electro-funk intersects with intoxicating pad sounds, to “Plune,” which evolves from a smooth downtempo groove into a sweet acid line, the album uniquely captures their duality—dancefloor-ready energy and chilled, smooth downtempo—skillfully encapsulated within a single track. Every track blends a sense of openness and euphoria, perfect for both the dance floor and a daydream. Be sure to check out the tracklist as well. (Original Japanese text by Akie)

If you look back through their catalog, you’ll find nothing but groundbreaking releases and key artists who creatively shape the current scene—here’s a mix from 〈ACCIDENTAL MEETINGS〉, the pivotal collective driving innovation in the Bristol scene! Spanning 99 minutes and crossing countless genres—truly embodying the label’s spirit—this mix features ...Read more (Original Japanese text by Akie) not only the genres mentioned above but also post-punk, dub, new wave pop, proto-new beat, and—as the icing on the cake—a cover of Curtis Mayfield, right down to pitch-controlled batucada. It unfolds like a kaleidoscope, leaving you with the distinct impression that it won’t let you get bored for even a single second. Limited edition. (Original Japanese text by Akie)

Featuring two tracks that blend classic roots reggae with soulful vocals and a modern, polished sound in perfect harmony. Side A, “So Lost” (sample 1), is a superb track with a mellow, emotionally rich atmosphere that spreads comfortably throughout, while Side B, “My Way” (sample 2), naturally lifts your spirits with its uplifting message and livel ...Read morey groove. Faithfully preserving the charm of authentic reggae while offering a sophisticated sound that fits perfectly into the current scene, this is a must-listen release we highly recommend.

From Jeff Parker, the virtuoso guitarist of Tortoise—the post-rock band that spearheaded the Chicago sound scene—comes a post-rock album that seamlessly fuses his improvisational jazz guitar playing with a smoky, almost clumsy funk sensibility in his beatmaking, reminiscent of J Dilla’s mellow style. modern jazz, which was presented as a cutting-ed ...Read more (Original Japanese text by COMPUMA)ge work in 2016. This 2020 follow-up masterpiece—a dark, smoky, laid-back, post-rock-infused, funky, minimalist jazz gem—features 11 tracks.
It also includes interpretations of songs by Joe Henderson and John Coltrane, and the seamless integration of contemporary production with jazz tradition is a key feature. While possessing a personal dimension that includes a tribute to his family, this is an ambitious work that pursues the “fusion of improvisation and the digital age.” (Original Japanese text by COMPUMA)

A 2016 masterpiece that represents the cutting edge of post-rock and modern jazz, seamlessly blending the improvisational skills of a unique jazz guitarist with a mellow beatmaking style reminiscent of J Dilla—all wrapped up in a “smokin’,” almost clumsy funk sensibility. This album, a miracle of balance, also marked a turning point for Jeff Parker. (Original Japanese text by COMPUMA)

Import 2LP (standard black vinyl)

Side A, “Sequence” (sample 1), is a 12-minute-and-33-second-long, BPM 135, meditative, rhythm-driven, science-inspired, modern dub-wise dub-techno experimental soundscape; Side B, “Structure” (sample 2), is a 17-minute-and-21-second-long, BPM 130, Side B, “Structure” (sample 2)—a 17-minute-and-21-second track at 130 BPM featuring monochrome slow-mo ...Read more (Original Japanese text by COMPUMA)tion visuals, with murmurs and ambient atmospheres creeping in—is also beautiful and wonderful.
I must say, the musicality and spirit that share some similarities with undefined (newdubhall) are also very intriguing. (Original Japanese text by COMPUMA)

The latest release from 〈MAGIC WAND〉, an offshoot label of 〈IS IT BALEARIC?〉, is a collection of edits and revisions—and this time, the source tracks are absolutely brilliant. From Tim Hardin’s “If I Were a Carpenter”—a hidden gem of introspective ’60s singer-songwriter folk characterized by a ballad-like intimacy—to “Six Blade Knife,” a hidden mas ...Read more (Original Japanese text by Akie)terpiece from Dire Straits’ debut album that showcases their signature early, gritty style. Then there’s the 1970s soft rock track “You Don’t Feel That Way No More” by England’s Dan & John Ford Cole and “Sapelo” by Larry Jon Wilson—though they differ in genre and era, they both lie at the intersection of country and folk, revising 1970s American roots music using dub and loop techniques to transform its melancholy into a soothing experience. (Original Japanese text by Akie)

Side A, “On Everything (feat. Substantial),” is a deep, artistic hip-hop track that features Substantial and blends a smooth, original lyrical flow reminiscent of Common with melancholic guitar phrases and a classic boom-bap beat. (sample1). It’s also a real treat that Side-B, “On Everything (Unreleased Instrumental)” (sample2), includes an unrelea ...Read more (Original Japanese text by COMPUMA)sed instrumental version of the track—an exclusive to this release—that allows you to fully appreciate the beauty of the beat, strings, and piano tones. A limited edition of 300 hand-numbered 7-inch records.
This track has become a hot topic after DJ Koco played it during his soundcheck at London’s Jazz Café, giving it his seal of approval! (Original Japanese text by COMPUMA)

A reissue of an early masterpiece from the legendary UK dance label 20/20 Vision! This 1998 release by Wulf N Flow—the collaboration between mastermind Ralph Lawson and his close ally Carl A. Finlow—is being reissued with previously unreleased tracks. “Echobeach (Wulf’s dub)” (sample 1) features a gunshot-like drum machine and a neon-psychedelic sy ...Read more (Original Japanese text by Akie)nth refrain, with acid synths and bass driving the dynamic progression from the middle to the end. The highlight is the previously unreleased track “Blues Dimensions,” salvaged from a damaged original DAT. Featuring a gritty Moog bass, a P-Funk-style refrain, and a rich Rhodes piano, it’s a luxurious acid electronic funk jam—the quality is so high you’d never guess it came from archival footage. (Original Japanese text by Akie)

Inspired by film music masters such as Piero Piccioni and Michel Elgrand, as well as a wide range of film scores, this duo—based in Rouen, northern France—fuses their diverse musical tastes, ranging from spiritual jazz, folk, classical chamber music, and electronic sounds—to create a fictional soundtrack-like musical world. This is the long-awaited ...Read more (Original Japanese text by COMPUMA) second album from Bolbec, a duo based in Rouen, northern France, consisting of Axel Concato and Barth Corbelet.
The album features 10 tracks performed as an ensemble, incorporating saxophone, flute, piano, double bass, drums, trumpet, French horn, cello, and violin, along with string arrangements.
Released by Batov Records, a highly acclaimed London-based label known for thoughtfully presenting global funk, world beats, and Middle Eastern grooves to audiences worldwide. (Original Japanese text by COMPUMA)